Results 41 to 50 of about 4,030,210 (249)

Firelei Báez: Bloodlines: The Andy Warhol Museum, February 17 – May 21, 2017

Contemporaneity: Historical Presence in Visual Culture, 2017
Exhibition Review: Exhibition catalog: María Elena Ortiz, Firelei Báez: Bloodlines, exh. cat. Text by María Elena Ortiz, Naima J. Keith, and Roxane Gay. Miami: Pérez Art Museum Miami, 2015. 128 pp.; 65 ills (53 col.).
Nicole F. Scalissi
doaj   +1 more source

The Nordic Council Literature Prize and the Nordic welfare values

Orbis Litterarum, Volume 80, Issue 4, Page 339-350, August 2025.
Abstract For many years, literature and culture have been an important part of the Nordic co‐operation. In the Nordic Council's report Konstens och kulturens frihet i Norden. En kunskapsöversikt med utgångspunkt i forskningen om kulturpolitik [The freedom of culture in the Nordic countries. A scientific point of reference in research on cultural policy]
Anne‐Marie Mai
wiley   +1 more source

The elephant in the room of EU copyright originality: Time to unpack and harmonize the essential requirement of copyright

The Journal of World Intellectual Property, Volume 28, Issue 2, Page 471-490, July 2025.
Abstract The dividing line between the artistic and literary heritage privatized by copyright and the public domain depends on just one word which is completely alien to the traditional legal jargon: originality. As if it were not enough the essential requirement of copyright is highly polysemic, being its meaning also sensitive to the specific ...
Vincenzo Iaia
wiley   +1 more source

Hugh Easton's Neo‐Baroque Art and the Stained‐Glass Closet in Postwar Britain*

Journal of Religious History, Volume 48, Issue 4, Page 469-487, December 2024.
Hugh Ray Easton (1906–1965) was a leading mid‐twentieth century British designer of stained‐glass windows. His works combined neo‐baroque style with an aesthetic that was attuned to glamour in contemporary media such as film and homoerotic physique magazines.
Jane Brocket, Dominic Janes
wiley   +1 more source

Insurgent envelopment: The emergency blanket and scenes of exposure at border zones

Transactions of the Institute of British Geographers, Volume 49, Issue 4, December 2024.
Short Abstract By focusing on the emergency blanket, this paper offers an account of how the geographies of exposure are mediated materially, aesthetically, and politically by forms of envelopment. Highlighting how the emergency blanket is deployed as a device of minimal comfort at border zones, the paper examines artistic works that repurpose this ...
Derek McCormack
wiley   +1 more source

CASTANEDO ALONSO, MARTA, Muerte, desastre y accidente. Andy Warhol y el final del sueño americano. Castellón, ARS. UNIERSITAT JAUME I, 2021, 242 pp.

Fedro
Reseña de: CASTANEDO ALONSO, MARTA, Muerte, desastre y accidente. Andy Warhol y el final del sueño americano. Castellón, ARS. UNIERSITAT JAUME I, 2021, 242 pp.
Teresa Aguado Garzón
doaj   +1 more source

Warhol selon Avedon : le paradoxe en héritage ?

Transatlantica, 2015
This paper links the iconographic tradition related to Saint Sebastian with Valerie Solanas’s « performance » as two visible legacies included in Warhol’s body as photographed by Avedon in his 1969 portrait entitled « Andy Warhol, Artist, New York City ...
Véronique Béghain
doaj   +1 more source

Personalization above anonymization? A role for considering the humanity and spirituality of the dead in anatomical education

Anatomical Sciences Education, Volume 17, Issue 8, Page 1556-1568, November 2024.
Abstract Clinical anatomy education is meant to prepare students for caring for the living, often by working with the dead. By their nature many clinical anatomy education programs privilege topographical form over the donor's humanity. This inbalance between the living and the dead generates tensions between the tangible and the spiritual insofar as ...
Michelle D. Lazarus, Peter Douglas, Georgina C. Stephens   +2 more
wiley   +1 more source

From Corporate Artification to Artification in the Third Sector

Journal of Philanthropy and Marketing, Volume 29, Issue 4, November 2024.
ABSTRACT Artification refers to the process by which objects, practices, or entities not traditionally considered art are transformed into socially accepted art forms. A common example is graffiti, which was once regarded as vandalism but has since evolved into a recognized and celebrated form of art, but organizations and brands can also engage in ...
Alex Turrini, Marta Massi, Chiara Piancatelli   +2 more
wiley   +1 more source

On Andy Warhol's "Electric Chair" [PDF]

California Law Review, 2006
[Tihe room conveys a hypnotic stillness. The chair itself is luminous, bathed in a clear wash of light that seems to come from a skylight over head. The still space is framed right and left by three shadowy black door ways, functioning like ominous sentinels guarding the scene.
openaire   +1 more source