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2017
Jones, in conversation with Braddock, explores a range of issues related to animacy and her use of the term ‘performative’. They consider a trajectory from Jones’s Body Art/Performing the Subject (1998) to her current thinking on material traces and sculpture/performance that bears the signs of ‘having been made’.
Amelia Jones, Christopher Braddock
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Jones, in conversation with Braddock, explores a range of issues related to animacy and her use of the term ‘performative’. They consider a trajectory from Jones’s Body Art/Performing the Subject (1998) to her current thinking on material traces and sculpture/performance that bears the signs of ‘having been made’.
Amelia Jones, Christopher Braddock
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Parametric induction of animacy experience
Consciousness and Cognition, 2008Graphical displays of simple moving geometrical figures have been repeatedly used to study the attribution of animacy in human observers. Yet little is known about the relevant movement characteristics responsible for this experience. The present study introduces a novel parametric research paradigm, which allows for the experimental control of ...
Kai Vogeley, Gary Bente, Nicole David
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2021
Abstract This chapter explores the relationships between gender and sexuality and the linguistic concept of animacy. Opening with an overview of linguistic animacy, it moves into a discussion of its import for discussions of forms of sociopolitical power such as colonialism, and their relationship to dehumanization as well as agency ...
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Abstract This chapter explores the relationships between gender and sexuality and the linguistic concept of animacy. Opening with an overview of linguistic animacy, it moves into a discussion of its import for discussions of forms of sociopolitical power such as colonialism, and their relationship to dehumanization as well as agency ...
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1999
The concept of ‘animacy’ concerns the fundamental and cognitive question of the extent to which we recognize and express living things as saliently human-like or animal-like. In Animacy and Reference Mutsumi Yamamoto pursues two main objectives: First, to establish a conceptual framework of animacy, and secondly, to explain how the concept of animacy
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The concept of ‘animacy’ concerns the fundamental and cognitive question of the extent to which we recognize and express living things as saliently human-like or animal-like. In Animacy and Reference Mutsumi Yamamoto pursues two main objectives: First, to establish a conceptual framework of animacy, and secondly, to explain how the concept of animacy
openaire +1 more source