Facilitating animacy perception by manipulating stimuli exposure time [PDF]
Animacy perception—discriminating between animate and inanimate visual stimuli—is the basis for engaging in social cognition and for our survival (e.g., avoiding potential danger).
Toshiki Saito +4 more
doaj +5 more sources
Gravity-Dependent Animacy Perception in Zebrafish [PDF]
Biological motion (BM), depicted by a handful of point lights attached to the major joints, conveys rich animacy information, which is significantly disrupted if BM is shown upside down.
Xiaohan Ma +7 more
doaj +5 more sources
Identifying critical kinematic features of animate motion and contribution to animacy perception [PDF]
Summary: Humans can distinguish flying birds from drones based solely on motion features when no image information is available. However, it remains unclear which motion features of animate motion induce our animacy perception.
Yifei Han +4 more
doaj +5 more sources
Seeing life in the teeming world: animacy perception in arthropods [PDF]
The term “animacy perception” describes the ability of animals to detect cues that indicate whether a particular object in the environment is alive or not.
Massimo De Agrò +2 more
doaj +4 more sources
Newborns’ sensitivity to speed changes as a building block for animacy perception [PDF]
The human visual system can discriminate between animate beings vs. inanimate objects on the basis of some kinematic cues, such as starting from rest and speed changes by self-propulsion.
Elisa Di Giorgio +3 more
doaj +5 more sources
Chronic oxytocin administration in older men modulates functional connectivity during animacy perception [PDF]
While aging is associated with social-cognitive change and oxytocin plays a crucial role in social cognition, oxytocin’s effects on the social brain in older age remain understudied.
Pedro A. Valdes-Hernandez +9 more
doaj +4 more sources
Erratum to “Gravity-Dependent Animacy Perception in Zebrafish” [PDF]
Xiaohan Ma +7 more
doaj +3 more sources
Novel approach to study the perception of animacy in dogs. [PDF]
Humans tend to perceive inanimate objects as animate based on simple motion cues. So far this perceptual bias has been studied mostly in humans by utilizing two-dimensional video and interactive displays.
Judit Abdai +2 more
doaj +4 more sources
Perception of animacy in Caucasian and Indian faces [PDF]
Masahiro Mori, who introduced the concept of the Uncanny Valley, recommended settling for moderate levels of human likeness in robotic design in order to avoid the eeriness upon encountering entities closely resembling humans [Mori 1970]. However, the strive for highly humanlike design continues, nowadays particularly in areas such as computer graphics
Kappas, A, Krumhuber, E, Swiderska, A
core +2 more sources
Multi-Modal Inference in Animacy Perception for Artificial Object
Sometimes we feel animacy for artificial objects and their motion. Animals usually interact with environments through multiple sensory modalities.
Kohske Takahashi, Katsumi Watanabe
doaj +2 more sources

