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Post Mortem Artifacts by <i>Pheidole pallidula</i> (Hymenoptera: Formicidae) on a Human Corpse and an Overview of the Genus <i>Pheidole</i> in Forensic Entomology. [PDF]

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Oriental Influences in the Animal Sculpture of Campania

Art Bulletin, 1942
Since Bertaux1 various scholars have investigated the influence of the Orient on single monuments of medieval Campanian sculpture. We are indebted to Monneret de Villard2 for an excellent article on the reliefs of S. Aspreno in Naples, and to Maria Teresa Tozzi for her study of the decoration of the old Cathedral of Sorrento.3 It is still worth while ...
exaly   +4 more sources

Cave To Cosmos: Mythological Animals In The Sculpture Of Anish Kapoor

Green Letters, 2021
This paper reflects on the sculpture of Anish Kapoor from an ecocritical perspective, focusing on the significance of non-human animals to his work.
exaly   +2 more sources

Germanic Animal Motifs in Romanesque Sculpture

Artibus Et Historiae, 1990
The chalice-shaped font in St. Cassian's church at Chaddesley Corbett, Worcestershire, serves as the departure point for a discussion of the sources of certain unusual features in Romanesque sculptural ornamentation. On this font, a work of the Herefordshire School from the second quarter of the twelfth century, the heads of the monsters have Italian ...
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Animal Representations in Kuba Art: An Anthropological Interpretation of Sculpture

Oxford Art Journal, 1981
During the First World War, Paul Nash was commissioned by the Ministry of Information to make a visual record of events taking place on the battlefields of Europe. He reportedly remarked of the experience that he no longer considered himself wholly an artist but had become in some senses a 'messenger'. Nash, of course, was in part referring to his role
exaly   +2 more sources

Animated Robotic Sculptures: Using SMA Motion Display to Create Lifelike Movements

Leonardo, 2020
This paper describes four animated robotic sculptures that are characterized by their use of shape-memory alloy motion display technologies to express lifelike movements, such as rustling leaves or squirming tentacles. These works of art combine plant and animal motifs with robotics to give their audience a sense of the objects being alive through ...
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Animated Sculptures: Figuration and Movement

Leonardo, 1982
If one takes the term 'Kinetic Art' in its broadest sense, my artwork can be described as part of the Kinetic Art movement, which implies the use of motion in visual art. In France, where I live, following the vogue of the 1960s, the definition of Kinetic Art came to embrace the idea of abstraction, geometricality and technology, associated with the ...
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