Results 231 to 240 of about 3,229 (267)
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Animal Representations in Kuba Art: An Anthropological Interpretation of Sculpture
Oxford Art Journal, 1981John Mack
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Polychrome Sculpture in Early Modern Spain
Art History, 2020Polychrome sculpture forms a cornerstone of the religious art produced in Spain in the early modern period. During the 16th century a single piece of wood was often used and during the 17th century wood sections were joined together with nails or dowels.
Ilenia Colón Mendoza
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Germanic Animal Motifs in Romanesque Sculpture
Artibus Et Historiae, 1990G. Zarnecki
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2025 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW)
In this paper, we present PM4Animal, a scriptable parametric modeling interface designed for conceptual animal sculpture design. PM4Animal extends the PM4VR framework by introducing tools for modeling, skinning, and posing animal sculptures through a ...
Wanwan Li
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In this paper, we present PM4Animal, a scriptable parametric modeling interface designed for conceptual animal sculpture design. PM4Animal extends the PM4VR framework by introducing tools for modeling, skinning, and posing animal sculptures through a ...
Wanwan Li
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ANIMAL SCULPTURE IN RUSSIAN ACADEMIC ART OF THE XIX — FIRST QUARTER OF THE XXI CENTURIES
Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица»Анималистическая скульптура в русском искусстве отражает изменения в обществе, сочетает реализм с модернизмом. Мастера XIX в. создавали реалистичные образы животных, показывая их эмоциональную выразительность. В XX в.
Ш. Ни, М.А. Сорокина
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Cistercian Sculpture: Kirkstall Abbey and Elland Church in the Twelfth Century
Yorkshire Archaeological Journal, 2015Rita Wood
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The River Twice, 2019
ion. The works are, however, each deeply engaged with some of the most critically endangered mammals on earth: the form of each sculpture is determined by the amount of material needed to mimic the exact weight of the animal it depicts.
Alison Taylor, Alexis Rockman
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ion. The works are, however, each deeply engaged with some of the most critically endangered mammals on earth: the form of each sculpture is determined by the amount of material needed to mimic the exact weight of the animal it depicts.
Alison Taylor, Alexis Rockman
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История создания и бытования скульптур «Быки» В. И. Демут-Малиновского
Scientific Papers of St Petersburg Academy of Fine ArtsВ статье рассматривается история скульптур «Быки» работы В. И. Демут-Малиновского – уникального образца анималистической пластики. Изучение архивных материалов позволило осветить этапы его создания и дальнейшего бытования, включая перемещения и работы по
О.В. Щедрова
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Hammers, Axes, Bulls, and Blood: Some Practical Aspects of Roman Animal Sacrifice*
Journal of Roman Studies, 2014Gregory S. Aldrete
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Ex omnia conchis? Edward Onslow Ford and the problem of Victorian ‘animalier’ sculpture
, 2018Jason Edwards
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