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DE LA BANDE DESSINÉE COMME MOSAÏQUE: Calypso de Baltus et Peeters
Relief: Revue Électronique de Littérature Francaise, 2008 Par son ordonnancement vignettal complexe, sa juxtaposition d’images fixes, sémantiquement et esthétiquement corrélées, la bande dessinée s’indexe indubitablement au paradigme mosaïcal, dont Lucien Dällenbach a rappelé l’importance historique et la ...
Fabrice Leroy
doaj +5 more sources
Nobody's daughters: Balthus and the sexualization of adolescents in interwar France [PDF]
French Cultural StudiesIn 1934, the painter Balthus (Balthasar Klossowski, 1908–2001) opened his first one-man show in Paris, comprising five erotic and sexually violent scenes involving adolescents and younger children. Over the following decades, he continued to depict girls
Lucy Whelan
exaly +2 more sources
Some of the next articles are maybe not open access.
A distant dream: Balthus, Henri Michaux, and the Chinese aesthetic tradition
Word and Image, 2018Xiaofan Li
exaly
Balthus, der Maler der „Gitarrenstunde“, und das neue deutsche Kinderpornographiestrafrecht
2022exaly