Results 21 to 30 of about 211 (116)

Annie Ernaux, fotos sin fotos ("Les Années")

open access: yesThélème, 2022
Este artículo estudia la presencia de la fotografía en Les Années de Annie Ernaux. El trabajo propone una reflexión sobre la estructura narrativa de Les Années tomando como referencia el álbum de familia como modelo de esa narración.
Antonio Ansón
doaj   +1 more source

Dead time, hard time, and narrative redemption: Delimiting the life proper

open access: yesThe Southern Journal of Philosophy, EarlyView.
Abstract Is every detail of your life a candidate for the meaningful, valuable, or worthwhile? If not, which do you exclude? Thaddeus Metz nominates “dead time”: the nail‐clipping, line‐waiting, traffic‐jam enduring, generally commonplace moments of our life. Dead time, while prevalent, is not remarkable. Metz recommends that we set at least some of it
Kathy Behrendt
wiley   +1 more source

Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead

open access: yesOrbis Litterarum, Volume 81, Issue 4, Page 363-376, August 2026.
Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley   +1 more source

Juegos de especularidad pictórica en la narrativa de Annie Ernaux: de Dorothea Tanning a Jean-Marc Reiser

open access: yesThélème
El presente trabajo analiza la función especular que desempeñan las imágenes de la pintora surrealista Dorothea Tanning y del ilustrador humorístico Jean-Marc Reiser en la obra de Annie Ernaux. Respecto a Tanning, la propia Ernaux reconoce su admiración
Lourdes Carriedo López
doaj   +1 more source

The impeccable taste of a publisher: Literary prizes and cultural value from a publishing perspective

open access: yesOrbis Litterarum, Volume 80, Issue 4, Page 423-436, August 2025.
Abstract The article discusses the complex relationship between publishers and literary prizes in terms of production, marketing, and the value of literary prizes. The main argument is that publishers are instrumental not only in the creation process of literary fiction receiving prizes but also in using the values adhered to awards and nominations for
Ann Steiner
wiley   +1 more source

Inność jako tożsamość. O podmiotowości odnalezionej: Patrick Modiano i Annie Ernaux

open access: yesEr(r)go, 2005
Katarzyna Thiel-Jańczuk - Otherness as Identity. Subjectivity Lost and Found: Patrick Modiano i Annie Ernaux Taking the literary output of Patrick Modiano and Annie Ernaux, two contemporary French writers, the article discusses the problem of narrative ...
Katarzyna Thiel-Jańczuk
doaj  

Grensekrysninger, symbolsk makt/vold og litterært uttrykk hos Annie Ernaux og Nina Bouraoui

open access: yesNordlit: Tidsskrift i litteratur og kultur, 2005
De to franskspråklige forfatterne Annie Ernaux (1940-) og Nina Bouraoui (1967-) knyttes begge til en økende historisk-sosial tendens i romangenren observert siden 1980-tallet.
Heidi Isaksen
doaj   +1 more source

ANNIE ERNAUX'NUN LES ANNÉES YILLAR ADLI ESERİNDE TOPLUM, BELLEK VE YAZIN

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2020
Annie Ernaux'nun Les Années Yıllar adlı eseri yayımlandığı 2008 yılında Fransız yayın dünyasında büyük bir beğeniyle karşılandı ve bu kitap konusunda, her ne kadar klâsik anlamda bir roman olarak sınıflandırılmasa da, “roman total” tam/bütünleyici ...
Eylem Aksoy Alp
doaj  

Annie Ernaux antidienoraščiai. Les anti-journaux d‘Annie Ernaux [PDF]

open access: yesLiteratūra (Vilnius), 2009
L’oeuvre d’Annie Ernaux, basée sur l’autobiographi­que, dépasse pourtant le cadre de l’écriture intimiste et exploite librement la matière autobiographique.
Inga Litvinavičienė
doaj  

Annie Ernaux

open access: yes, 2015
En 2002, Annie Ernaux déclarait que « ce qui compte, dans les livres, c’est ce qu’ils font advenir en soi et hors de soi ».  Dix ans plus tard, dans l’entretien qui clôt ce volume, elle revient sur ce « mouvement » qu’elle dit « emblématique de [s]on écriture ».
openaire   +3 more sources

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