Results 111 to 120 of about 3,242 (247)
LUÍS DE CAMÕES IN THE CROSSROADS OF A PORTUGUESE ANTHROPOPHAGY
Cadernos de Letras da UFF, 2015 It is known that the notion of anthropophagy, on culture, much exceeds Brazilian modernist question and the literary context in which produced Oswald de Andrade.
Paulo Braz
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Is it possible to decolonize the concept of cultural anthropophagy?”
, 2020 María Íñigo Clavo
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Decolonizing Literature: The Absence of Afro-Brazilians in the Anthropophagic Movement
, 2023 Paola Karyne Azevedo Jochimsen
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BackgroundRapid declines in malaria prevalence, cases, and deaths have been achieved globally during the past 15 years because of improved access to first-line treatment and vector control.
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Feeding behavior patterns of anophelines from Uttar Pradesh and Gujarat states of India. [PDF]
, 1991 Volume:
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الإيضاح, 2015 Cannibalism (Akl-e-Mayyet) refers to the act or practice of humans, eating the flesh or internal organs of other human beings i.e. corpses. It is also termed as anthropophagy. A person who practices cannibalism is known as cannibal. In the recent past it
ڈاکٹر صالح الدین حقانی +1 more
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Institutions Don't Rule: Direct Effects of Geography on Per Capita Income [PDF]
In a series of papers, my colleagues and I have demonstrated that levels of per capita income, economic growth, and other economic and demographic dimensions are strongly correlated with geographical and ecological variables such as climate zone, disease
Jeffrey D. Sachs
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Destructive Hostility: The Jeffrey Dahmer Case: A Psychiatric and Forensic Study of a Serial Killer [PDF]
, 1994 We were involved as forensic experts in the case of the serial killer Jeffrey Dahmer. We discuss the scene and victim autopsy findings, with a brief consideration of the basic emotion of hostility.
Ho, Khang-Cheng +5 more
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Il (neo)colonialismo allo specchio: Le vendredinnades di Abdellah Taïa
Dive-InThe present essay intends to analyse the theme of the Other in Moroccan francophone writer Abdellah Taïa’s works L’armée du salut and Celui qui est digne d’être aimé, and the intertextual relationship they maintain with André Gide’s Si le grain ne meurt.
Vincenzo Quaranta
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