Results 21 to 30 of about 1,033 (193)
Tarsila do Amaral (1886-1973) began her anthropophagic phase in 1928, after the creation of Abaporú, a painting that insinuated the consequent writing of the Anthropophagic (or Cannibalist) Manifesto by Oswald de Andrade in the same year. These proposals
María Elena Lucero
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El prefacio de La maravillosa vida breve de Óscar Wao (2007) de Junot Díaz presenta a Galactus, llamado el “devorador de mundos” en Marvel, como pista de lectura inquietante.
Silvia Ortiz Gómez
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Hybridité culturelle, « anthropophagie » identitaire et transterritorialité
À partir du débat sur les contradictions et ambivalences de l’hybridation culturelle contemporaine, cet article développe l’idée « brésilo-latino-américaine » de la transculturation et de l’anthropophagie par rapport au territoire, en construisant le ...
Rogerio Haesbaert
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Dialogical Anthropophagy: looking at Tarsila do Amaral
This paper presents a dialogic reflection on carnivalization in Tarsila do Amaral. The painting Anthropophagy, composed by the syncrisis of A Negra and Abaporu, in dialogue with modern aesthetics, is the corpus, in comparison with other works of the ...
Luciane de PAULA, Douglas Neris de SOUZA
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From the 1770s onwards, an imagination of the cannibalism of the Oceania islands was formed in Europe, as French and English scientific expeditions explored the "Southern Seas". Very early on, the visited islanders are suspected of being anthropophagous.
Nicolas Cambon
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Hambre de tinieblas. Caníbales, zombis y vampiros en tres novelas contemporáneas del Cono Sur
The intention of this paper is to formulate the concept of 'monstrous hunger' as the center of proposals and actions in three contemporary novels from the Southern Cone that fall within the horror genre: Cadáver exquisito (2018), by Agustina Bazterrica ...
Liliana Lara
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Whether the malaria parasite Plasmodium falciparum can manipulate mosquito host choice in ways that enhance parasite transmission toward humans is unknown. We assessed the influence of P.
Vantaux, Amélie +15 more
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The article presents three case studies: first, the concept of the primitive in the historiography of Italian Renaissance art. Next, the article discusses the notion of « sauvage » art in French Surrealism.
Fernanda Marinho, Letícia Squeff
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:This article explores the cannibalistic dimensions of racial disgust and desire in Michel Houellebecq’s Submission. Situated within broader discourses of French déclinisme, Submission offers a melancholic portrait of white nostalgia.
Luke F. Johnson
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St. Francis Xavier in Southeast Asia (1545-1552) – A Religious Captivating Journey Through Time, Space, Societies and Cultural Distance [PDF]
This study explores the 138 preserved writings of St. Francis Xavier, which consist of only thirty-three original documents and eight autographs among a greater number of dictated works.
Ivo Carneiro de Sousa
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