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En clave de títere, maniquí, fantoche o marioneta: la despersonalización vanguardista en el teatro de Antonin Artaud

HArtes, 2023
Like many other vanguard creators, Artaud exposes an understanding of acting against the rules of intellectualism and psychology that were the bases of Realism and its poetic activities.
Paloma López Medina Ávalos
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L’étude sur le sens d’en finir avec les chefs-oeuvre chez Antonin Artaud

Societe d Etudes Franco-Coreennes, 2022
Dans Le Théâtre et son Double, il y a un chapitre intitulé «En finir avec les chefs-d'œuvre». Artaud explique ici le phénomène des chefs-d'œuvre qui, si leur valeur s'avère utile une fois, sont acceptés sans critique.
Sunhyung Lee
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Theatrical reforms of Luigi Pirandello and Antonin Artaud: a comparative analysis

Language and Text
Context and relevance. This article examines the theatrical reforms of Luigi Pirandello and Antonin Artaud. Objective. To identify similar techniques, methods, and approaches to transforming a performance to transform the audience's value hierarchy ...
S. Simonova
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The Godless Rituals: Theatre as a Venue for Transgression, According to Antonin Artaud and Hermann Nitsch

Slovenské divadlo /The Slovak Theatre
: The present study employs a systematic comparative analysis of Antonin Artaud’s and Hermann Nitsch’s key theoretical writings and major performances, situating them within the methodological framework of the performativity in theatre studies.
Tomáš Kubart
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