Results 11 to 20 of about 650 (157)
Antonio Tempesta: un retablo portátil en la catedral de Segovia y otras pinturas sobre piedra
Nell’articolo si pubblicano vari dipinti inediti di Antonio Tempesta su supporti lapidei e su rame, da un retablo portatile nella cattedrale di Segovia a un’ulteriore versione del Passaggio del Mar Rosso nel palazzo reale di Madrid, ad alcune opere in collezioni private e raccolte pubbliche.
VANNUGLI, Antonio
openaire +2 more sources
Un'inedita storia di Gedeone di Antonio Tempesta dipinta su pietra
Il contributo esamina una pietra dipinta riconducibile ad Antonio Tempesta, in collezione privata romana, un inedito olio su onice incollata su ardesia (cm. 47-4) , che raffigura un soggetto militare, un episodio biblico che probabilmente anticipò la serie "Imagines acierum ac praeliorum Veteris Testamenti" incisa dal Tempesta, stampata a Firenze da ...
Massimo Moretti
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Female Representation and Violence in the Ceremonial Entries of the Italian Wars
Abstract This essay considers the gendered implications of female representation in the ceremonial entries of the Italian Wars (1494–1559) in light of the events' hyper‐masculine martial context. It takes a holistic approach, uncommon in entry scholarship, by considering the thematic intersections between entry decorations, participation, performance ...
Elizabeth Reid
wiley +1 more source
Strength capacity of prismatic specimens for masonry constructions made of concrete voussoirs
Abstract This research shows the results of an experimental campaign of masonry specimens tested until failure. The masonry is made of special voussoirs for the construction of arches and vaults. The voussoirs were made of plain concrete. The experimental campaign focused on obtaining the flexural and the compressive strength of this type of masonry ...
Juan Carlos Pomares Torres +4 more
wiley +1 more source
Time of Rome: Topography of Eternity [PDF]
On September 10, 2024, the Pushkin State Museum of Fine Arts (Moscow) hosted a presentation of the Catalog of the large-scale exhibition Three Times of Rome. Antiquity. Renaissance. Baroque.
Sipovskaya Natalia V.
doaj +1 more source
Abstract Following a request from EFSA, the Panel on Plant Protection Products and their Residues developed an opinion on the science behind the risk assessment of plant protection products for in‐soil organisms. The current risk assessment scheme is reviewed, taking into account new regulatory frameworks and scientific developments. Proposals are made
EFSA Panel on Plant Protection Products and their Residues (PPR) +28 more
wiley +1 more source
Italian position paper (SIPMO‐SICMF) on medication‐related osteonecrosis of the jaw (MRONJ)
Abstract Objective This paper aims to describe the 2023 update position paper on MRONJ developed by the Italian Societies of Oral Pathology and Medicine (SIPMO) and of Maxillofacial Surgery (SICMF). Methods This is the second update following the 2013 and 2020 Italian position papers by the Expert panel, which is a representation of the two scientific ...
Alberto Bedogni +11 more
wiley +1 more source
The subject of this study is an analysis of a unique engraving preserved in the Bibliothèque Nationale de France depicting Prince Ladislas Vasa (1595–1648) as pretender to the Muscovite throne. It is here proposed that the print was probably executed c.
Jacek Żukowski
doaj +1 more source
Oral lesions with immunohistochemical evidence of Sars‐CoV‐2 in swab‐negative post‐COVID syndrome
Abstract Objectives Growing evidence exists about post‐COVID condition/syndrome as sequelae of Sars‐CoV‐2 infection in healed patients, possibly involving the lungs, brain, kidney, cardiovascular and neuromuscular system, as well the persistency of taste dysfunction.
Luisa Limongelli +10 more
wiley +1 more source
Zusammenfassung: Der Beitrag widmet sich dem Trattato delle Piante & Imagini de i sacri edificii di Terra Santa von Bernardino Amico, einem illustrierten Kompendium der heiligen (größtenteils christlichen) Stätten Jerusalems und Bethlehems, das zuerst
Eckhard Leuschner, Yahya Kouroshi
doaj

