Results 91 to 100 of about 14,380 (280)
Aisthesis, 2009 Utilizando dos películas como pretexto, Blow up de Michelangelo Antonioni y Blow-out de Brian de Palma, en este artículo se abordan distintas teorías postmodernas en relación al impacto de las nuevas tecnologías sobre la distinción metafísica y moderna ...
Inmaculada Murcia Serrano
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"Hushed to a whisper" : of veiled device and strained connection in Francis Coppola's The conversation : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Media Studies at Massey University, Palmerston North, New Zealand [PDF]
, 2004 This thesis is an analysis of The Conversation, a film directed by Francis Coppola and released by Paramount Pictures in 1974. The central theme underpinning this study is that a pattern of "unnatural connections" is evident both in and within the text ...
Mawer, Shawn Charles
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, 2018 Michelangelo Antonioni (1912–2007), italienischer Filmregisseur, u.a. Blow Up (1966) und Zabriskie Point (1970), letzterer enthält eine filmtechnisch auffällige Sequenz, die die Explosion einer Villa in Zeitlupe und aus unterschiedlichen Blickwinkeln zeigt.
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Nella filigrana di “Nouvelle Vague” [PDF]
Parole Rubate, 2012 Jean-Luc Godard’s Nouvelle Vague (1990) presents an emblematic title that celebrates the 30th anniversary of A bout de souffle. Godard’s film is dominated by doubles – two times, two identities, two stories, two loves, two drownings – and by a range of ...
Roberto Chiesi
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„Obraz” w „Powiększeniu” – problem fokalizacji
Kwartalnik Filmowy, 2008 Pierwsza część pracy przedstawia krótko problem „fokalizacji”, kategorii narratologicznej sormułowanej w latach 70. w pracach G. Genette’a, a zwłaszcza M. Bal (która podkreśla, że fokalizacja i narracja to operacje niezależne), a także pokrewne pojęcie „
Wojciech Michera
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Conflict Management Styles in Croatian Enterprises – The Relationship between Individual Characteristics and Conflict Handling Styles [PDF]
The objective of the paper, except determining the dominant conflict handling style in Croatian organizational setting, was to explore individual characteristics affecting the choice of conflict resolution style of Croatian employees.
Nina Pološki Vokić, Sanja Sontor
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Lo sguardo smarrito: riflessioni intorno a Il grido di Michelangelo Antonioni. [PDF]
, 2013 L’articolo intende dimostrare il ruolo centrale che Il grido ha nell’evoluzione stilistica del cinema di Antonioni. La prima parte si sofferma sul tema del viaggio di Aldo che si lega saldamente ad una destrutturazione del paesaggio tale da impedire ai ...
Guerra, Michele
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The Call of the Beyond: Music in Antonioni’s Red Desert
Наука телевидения, 2018 This article discusses Michelangelo Antonioni’s use of music in his 1964 film Red Desert (Il deserto rosso). Before Red Desert, Antonioni had avoided the Hollywood convention of the near-continuous musical score, and made only very sparing use of largely
Frolova-Walker Marina
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Following the Balibo massacre’s whale
Pacific Journalism Review, 2009 Early on in Tony Maniaty’s Shooting Balibo we come across Herman Melville, Michelangelo Antonioni and John Dos Passos. We quickly get the message that this is as much a journey of the imagination as it is a travelogue, memoir or investigation.
Marcus O'Donnell
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