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Michelangelo Antonioni's “Red Desert”: A Study on the Characteristics of Frames, Short, Montage as Signs of Time-Image

The Korean Society of Culture and Convergence, 2023
Based on Deleuze's film image theory, this paper analyzes Michelangelo Antonioni's film “Red Desert” and analyzes the independent style of frame, short, and montage used by Antonioni in the film “Red Desert”.
Won Shin
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Antonioni’s Anthropocene and Guerra’s enchanting gardens

Journal of Italian Cinema & Media Studies, 2023
This article explores the seemingly discordant ecologies that animate the ecopoetics of Tonino Guerra’s thinking, arguing that in Guerra’s work we find both a critique of human uses and abuses of the environment – in the era of environmental loss we are ...
Elena Past
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Antonioni, or, The Surface of the World

, 2023
Acknowledgments A Note on Photographic Reproductions Introduction 1. Early Films 2. Il grido 3. The Great Tetralogy: Plots and Themes 4. The Great Tetralogy: Characters 5. The Great Tetralogy: Settings and the Environments 6.
S. Chatman
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Alienazione e irrealtà in Ottieri e Antonioni: Osservazioni sul ‘modo cinematografico’ ne L’impagliatore di sedie

, 2021
L’articolo analizza il poco noto romanzo L’impagliatore di sedie evidenziando una serie di caratteristiche formali e tematiche che legano la scrittura di Ottiero Ottieri alla cinematografia degli anni Cinquanta e Sessanta, con particolare riferimento a ...
M. Bellardi
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Becoming Giuliana: Antonioni'sRed Desertand the Capitalist Social Machine

, 2021
This essay employs Deleuze and Guattari's analysis of the capitalist social machine to explore Michelangelo Antonioni's Red Desert (1964). More specifically, it addresses the psychological struggles of the film's female protagonist, Giuliana, with ...
R. Letteri
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The Antonioni House: Sensory-Temporal Architecture

RUUKKU Studies in Artistic Research
In this paper I propose to re-visit the outcome of a research trip I made a few years ago to the island of Sardinia in order to capture stills and video of a dilapidated villa, La Cupola, once belonging to the Italian filmmaker Michelangelo Antonioni ...
Peter Spence
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Antonioni and the Aesthetics of Impurity

, 2020
Michalangelo Antonioni’s 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema’s ‘modern’ incarnation. Reconnecting Antonioni’s aesthetically audacious films of the 1960s to the ferment of their historical time,
M. Nardelli
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