Results 171 to 180 of about 13,602 (188)

Secret Violences: The Political Cinema of Michelangelo Antonioni 1960–1975, Sławomir Masłoń (2023)

Journal of Italian Cinema & Media Studies
Review of: Secret Violences: The Political Cinema of Michelangelo Antonioni 1960–1975, Sławomir Masłoń (2023) New York and London: Bloomsbury Academic, 185 pp., ISBN 978-1-50139-823-0, h/bk, £81 ...
Jacopo Benci
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Adaptation, translation and indeterminacy in Michelangelo Antonioni’sBlow-Up: Towards a third space of representation

, 2020
Michelangelo Antonioni’s films are rarely associated with translation and adaptation. Yet, his work consistently explores the very essence of images, their ambiguous relation to reality and the deceptive nature of perception.
Laurence Besnard-Scott
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Introduction: Antonioni and the Aesthetics of Impurity

, 2020
The introduction addresses the ‘modernity’ of Antonioni’s 1960s films in the context of the proliferation of the mass image in postwar culture on the one hand, and aesthetic and art-historical debates about medium specificity, and ‘purity’, on the other.
M. Nardelli
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O SONHO DE UMA NOITE DE VERÃO MODERNISTA DE ANTONIONI: o filme A Noite (1961) e a cidade modernista sob o olhar de Michelangelo Antonioni

Cadernos do GIPE-CIT
O presente artigo propõe um olhar sobre a configuração do drama no filme A Noite (1961), do cineasta italiano Michelangelo Antonioni, tendo como foco desta observação a visão do cineasta sobre o projeto civilizatório moderno, que tem a cidade como o seu ...
L. Duarte
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Michelangelo Antonioni, Tourist Snapshots, and the Politics of the ‘Backward Scene’ in 1970s China

Journal of Contemporary History
In 1972, Radio Televisione Italiana, Italy's state broadcaster, commissioned famed director Michelangelo Antonioni to film a documentary in the People's Republic of China, following the resumption of diplomatic relations between the two nations ...
Gavin Healy
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Profession : reporter de Michelangelo Antonioni

Michelangelo Antonioni réalise Profession : reporter en 1974. Porté par les interprétations de Jack Nicholson et de Maria Schneider, ce long-métrage marque une rupture dans la carrière d'un cinéaste qui cherche à se renouveler.Gilles Delavaud analyse ...
Gilles Delavaud
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Michelangelo Antonioni’s tetralogy of alienation on cinema screens in the People’s Republic of Poland: A study of the critical reception

Journal of Italian Cinema & Media Studies
The People’s Republic of Poland, an undemocratic state that existed from 1947 to 1989, was politically dependent on the Soviet Union. It relied on its cultural policy of heavily rationing access to products made in capitalist countries; few exceptions ...
Anna Miller-Klejsa
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The body of Milan in Gabriele Basilico and Michelangelo Antonioni

, 2019
Gabriele Basilico and Michelangelo Antonioni shared an interest in urban landscape and each developed a distinct aesthetics inspired by this constant dialogue with architecture and urban spatial forms.
Francesco Rabissi
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Antonioni’s America

When the Movies Mattered, 2019
In January 1967 executives from MGM contracted with European New-Wave icon Michelangelo Antonioni to distribute his Palm d’Or-winning picture Blow-Up in the United States.
Jon E. Lewis
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Cinematic Intertextuality and the Aesthetics of Ambiguity from Antonioni to Aldridge

Aisthesis. Pratiche, linguaggi e saperi dell’estetico, 2018
In order to interpret the work of British photographer Miles Aldridge and gain insight into the semiotic ambiguity of his photographs, this paper relies on the capacity to decipher the photographs’ relationship to other arts such as Italian cinema and in
Gerrard Carter
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