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“Between syntax and semantics: the two antonomasias in French”

2019
The most satisfactory way of studying the syntax and semantics of names and nouns seems to lie in the passages from proper noun to common noun and from common noun to proper noun. These passages precisely require syntactic observations, and are only perceived in a modification of referential semantics.The article reconsiders the links between ...
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Painting the Muses, from allegory to antonomasia.

Entre le XVe et le XVIIIe siècle, les représentations en peinture des Muses allégoriques et antonomastiques composent par leur polysémie un discours sur la musique, la poésie, mais aussi les arts du disegno.Les Fables des Muses survivent et parviennent transformées. Les peintres modernes s’inspirent ainsi d’un mythe enrichi par la théorie de la musique
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Tanaquil(la), la donna etrusca per antonomasia

The Etruscan name Θanχvil can be a perfect match to Latin fēmina through Lydian diachronic ...
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