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The Abductivist Interpretation of Frege's Conception of Logic
Analytic Philosophy, EarlyView.ABSTRACT Frege is an abductivist about logic. For him, an acceptable logic must be sufficient—that is, it must be able to explain the relevant data, such as the fact that arithmetical laws are logical truths. Thus, Frege's logicism is an abductive project aimed at establishing the acceptability of his logic, Begriffsschrift.
Junyeol Kim
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Room for Improvement: Why Finitist Arguments Do Not Check Out
Analytic Philosophy, EarlyView.ABSTRACT We examine several new and underexplored arguments for the finitude of the past and the impossibility of Hilbert's Hotel. The first argument concludes that Hilbert's Hotel is impossible due to an alleged contradiction arising from the causal powers of infinitely many guests.
Joseph C. Schmid, Troy Dana
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PHRASEOLOGICAL CONTEXT OF APHORISTICS
2021Russian Linguistic Bulletin, Выпуск 4 (28) 2021, Pages 12 ...
Korolkova, A.V., Tishina, A.E.
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Comunicazioni sociali, 2020
This essay focuses on the communicative implications stemming from the advertising campaign suggested in 2016 by the national archeological museum in Rome, entitled “Lucius Anneus Seneca dixit”. The choice made by one of the most important museums in the world to exploit Seneca’s semantic force implies a close reflection on the expressive impact of the
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This essay focuses on the communicative implications stemming from the advertising campaign suggested in 2016 by the national archeological museum in Rome, entitled “Lucius Anneus Seneca dixit”. The choice made by one of the most important museums in the world to exploit Seneca’s semantic force implies a close reflection on the expressive impact of the
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The Cambridge Quarterly, 2013
level of the sentence. Dickens liked to move inexorably forward in time, says Douglas-Fairhurst, ‘Each sentence unspooling across the page was a little model of how civilization could build on its past and reach confidently into the future. Even novels that dealt with the bloodiest excesses of the previous century, such as the French Revolution (A Tale
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level of the sentence. Dickens liked to move inexorably forward in time, says Douglas-Fairhurst, ‘Each sentence unspooling across the page was a little model of how civilization could build on its past and reach confidently into the future. Even novels that dealt with the bloodiest excesses of the previous century, such as the French Revolution (A Tale
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APHORISTIC NATURE OF SERGEY DOVLATOV
2020The aim of the article is to make a comprehensive study of aphoristic nature of Sergey Dovlatov and to analyze some aspects of aphoristic theory. Dovlatov’s style can be called aphoristic, as there are many adages that were extracted and analyzed. Dovlatov’s aphorisms reflect his individual author philosophy in the following semantic fields like people/
Korolkova, A.V., Novikova, T.S.
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SYNTACTIC SEMANTICS OF RUSSIAN APHORISTICS
2021The article deals with one of the aspects of the syntactic nature of Russian aphorisms. For a complete analysis of an aphorism as a separate linguistic unit, it is necessary to analyze its syntactic structure related to the semantic content of the utterance. The main aim of the research is to identify the relationship between the syntactic structure of
Korolkova, A.V., Tishina, A.E.
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Towards aphoristic enunciation
2023L’importance des travaux de Dominique Maingueneau dans le champ de l’analyse du discours est bien connue, tant du point de vue théorique que par la variété des corpus à laquelle il a pu se confronter, élargissant les horizons de ce que l’on nomme parfois « les tendances françaises1 » de l’analyse du discours.
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How to Be an Agnostic: an Aphoristic A-Z
2007HEGEL ONCE REMARKED: ‘The owl of Minerva spreads its wings only with the falling of the dusk.’ Mary Midgley deploys the image in her memoir: ‘The thought for which I want to use it is that wisdom, and therefore philosophy, comes into its own when things become dark and difficult rather than when they are clear and straightforward. That — it seems to me
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Having established the context, chapter 1 outlines some key concepts of the text through a series of short, loosely connected vignettes. Each vignette offers an insight into the concept of the political, yet each vignette is also a tale in its own right.
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