Results 91 to 100 of about 13,546 (247)
Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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Prologue : apocalypse(s) et apocalyptique
, 2020 1. Apocalypse(s) : du sens courant au sens étymologique La polysémie flottante des termes apocalypse(s) et apocalyptique nous invite à établir un bilan terminologique car, comme l’écrit Claude Kappler, « ce n’est pas sans tremblement qu’il faut écrire ...
Arino, Marc
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Powerful representation of the poor? German welfare associations' narrative advocacy during COVID‐19
Policy Studies Journal, EarlyView.Abstract The COVID‐19 pandemic sparked unprecedented experimentation in the German social assistance system, leading to changes previously considered impracticable by policymakers. This included a sanctions moratorium, easier access to benefits, and temporary cash transfers, all of which were advocated by welfare associations—key organized interests ...
Christopher Smith Ochoa
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Hamlet apocalypse [Short Review]
, 2011 SET on a sparse stage with a ladder, a table, a few chairs and a backdrop of plastic sheeting, Hamlet Apocalypse retails the core of Shakespeare's story in combination with the actor's relation to the concept of the end of ...
Hadley, Bree J.
core
Renaissance Studies, EarlyView.Abstract This article examines how late bardic poetry transforms the condition of exile into a literary mode that reimagines community and tradition. I argue that poetry of lament, blessing and devotion articulates a broader literary consciousness that anticipates modern notions of a national consciousness. The compilation of bardic verse in manuscript
Daniel T. McClurkin
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, 1994 Flier promoting a concert by the bands Norman Mayer Group and Apocalypse Theatre at the Black Cat in Washington, D.C. on February 14, 1994. The event also featured "DJs Jessica and Lucretia" as well as an "after hours party" featuring the metal band The ...
core
The Last of Us, Interactive Media and the Virtual Apocalypse
Few figures in interactive media are as consistently used as the zombie. Not only do they can be aesthetically horrifying, but they are also remarkably ubiquitous antagonists for players tactically—ranging from the shuffling brain dead to the far more ...
Thompson, Matthew
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American Apocalypse in (and out of) History
, 2020 https://www.cambridge.org/core/books/apocalypse-in-american-literature-and-culture/american-apocalypse-in-and-out-of-history ...
DiCuirci, Lindsay
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Penguasa, Tuhan, dan Rakyat: Membaca Apokalips Daniel 7 sebagai Subversi
Gema Teologika, 2019 Because of its cryptic nature apocalypse Daniel 7 has been interpreted in many ways. Often it is linked to the end of time teachings. This kind of interpretation is problematic.
Robert Setio
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Toward a “strong” normativity of fear in Hans Jonas and Aristotle
The Southern Journal of Philosophy, EarlyView.Abstract What does it mean to say that one “ought” to undergo an emotion? In The Imperative of Responsibility, Hans Jonas provocatively asserts that twentieth‐century citizens “ought” to fear for the well‐being of future generations. I argue that Jonas's demand is not straightforwardly reducible to claims about the fittingness, expedience, or aretaic ...
Magnus Ferguson
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