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2013
This chapter describes the following apocalyptic texts: Reuyot Yeṭezqel; Sefer Eliyahu; Sefer Zerubavel; and The Secrets of Rabbi Shimon bar Yoṭai (Rashbi). For each of these texts, details on the contents, dating, language, printed editions, translations, commentaries, bibliography, electronic resources and manuscripts are provided.
Stanley E. Porter, Andrew K. Gabriel
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This chapter describes the following apocalyptic texts: Reuyot Yeṭezqel; Sefer Eliyahu; Sefer Zerubavel; and The Secrets of Rabbi Shimon bar Yoṭai (Rashbi). For each of these texts, details on the contents, dating, language, printed editions, translations, commentaries, bibliography, electronic resources and manuscripts are provided.
Stanley E. Porter, Andrew K. Gabriel
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1988
Abstract The term ‘apocalypse’ denotes a particular literary type found in the literature of ancient Judaism, characterized by claims to offer visions or other disclosures of divine mysteries concerning a variety of subjects, especially those to do with the future.
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Abstract The term ‘apocalypse’ denotes a particular literary type found in the literature of ancient Judaism, characterized by claims to offer visions or other disclosures of divine mysteries concerning a variety of subjects, especially those to do with the future.
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2009
Abstract In the Old Testament, apocalyptic literature (or simply ‘apocalyptic’, as the genre is often called) might not seem to occupy a prominent place. Only the book of Daniel falls into this category. Despite its poor representation in the Bible, apocalyptic literature is not a fringe activity; nor are its contents peripheral to an ...
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Abstract In the Old Testament, apocalyptic literature (or simply ‘apocalyptic’, as the genre is often called) might not seem to occupy a prominent place. Only the book of Daniel falls into this category. Despite its poor representation in the Bible, apocalyptic literature is not a fringe activity; nor are its contents peripheral to an ...
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Journal of Pastoral Care, 2000
Notes that God-talk encountered in pastoral ministry resembles the genre of apocalyptic literature and that the language and imagery is often confrontational and non-rational. Opines that caregivers need to be aware of the dynamic dimension of apocalyptic in order to understand the use of apocalyptic imagery in the pastoral encounter.
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Notes that God-talk encountered in pastoral ministry resembles the genre of apocalyptic literature and that the language and imagery is often confrontational and non-rational. Opines that caregivers need to be aware of the dynamic dimension of apocalyptic in order to understand the use of apocalyptic imagery in the pastoral encounter.
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Diplomatica, 2019
Does the us president seek a war to end all war in the Middle East? Apocalyptic thinking is hardly a novelty when it comes to the United States, or to diplomacy. A look back at the 17th century, and the evolution of international thinking since, reminds us how durable such thinking can be.
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Does the us president seek a war to end all war in the Middle East? Apocalyptic thinking is hardly a novelty when it comes to the United States, or to diplomacy. A look back at the 17th century, and the evolution of international thinking since, reminds us how durable such thinking can be.
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Huntington Library Quarterly, 1968
WHEN MILTON chose the story of the Fall for his epic, he at once faced the problem of portraying in human terms an action and setting which are not directly accessible to human experience. By presenting not only the fall of man but the entire celestial cycle-creation, the war in Heaven, the fall of man, and redemption-he further increased the ...
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WHEN MILTON chose the story of the Fall for his epic, he at once faced the problem of portraying in human terms an action and setting which are not directly accessible to human experience. By presenting not only the fall of man but the entire celestial cycle-creation, the war in Heaven, the fall of man, and redemption-he further increased the ...
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2020
When the writers of the immensely popular television show, SupernatÂural, wrote the story arc for season five of the show around the major figures of the book of Revelation, they hoped that audiences would connect to the familiar images of the Apocalypse that were updated for the twenty-first century.
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When the writers of the immensely popular television show, SupernatÂural, wrote the story arc for season five of the show around the major figures of the book of Revelation, they hoped that audiences would connect to the familiar images of the Apocalypse that were updated for the twenty-first century.
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