Results 51 to 60 of about 241,498 (301)

Architecture, colour and images. Ideas and designs by Friedensreich Hundertwasser [PDF]

open access: yes, 2017
Colour, imagination, inspiration, amazement. These four words very fittingly describe the work of the Viennese artist/architect Friedrich Stowasser, better known as Hundertwasser (meaning hundred water), a master of organic thinking who between 1928 and ...
Chiavoni, Emanuela
core   +1 more source

What Do Large Language Models Know About Materials?

open access: yesAdvanced Engineering Materials, EarlyView.
If large language models (LLMs) are to be used inside the material discovery and engineering process, they must be benchmarked for the accurateness of intrinsic material knowledge. The current work introduces 1) a reasoning process through the processing–structure–property–performance chain and 2) a tool for benchmarking knowledge of LLMs concerning ...
Adrian Ehrenhofer   +2 more
wiley   +1 more source

Drawing Metropolis. The architectural dream of Fritz Lang

open access: yesEGA, 2017
The producer of the film Metropolis, directed by Fritz Lang in 1927, used three great set designers so that, through their drawings, give way to the undisputed star of the film architecture.
Pedro Molina-Siles
doaj   +1 more source

The Dara Building (Grote Koppel), Amersfoort, Netherlands [PDF]

open access: yes, 2009
The Dara Building in Amersfoort, Netherlands, makes a significant contribution to FAT Architecture’s on-going research into the creative potential of historical reference and repetition, in combination with digital and prefabricated construction ...
Griffiths, S., Griffiths, S.
core  

Every House on Langland Road – the production of archival, architectural and artistic spaces [PDF]

open access: yes, 2017
This article describes an Arts Council England project, undertaken by the author and a photographer, to examine spatial and temporal relations between an art project, its subject and its audience. The project explored and documented the architecture of a
Umney, Darren
core   +1 more source

NFDI MatWerk Ontology (MWO): A BFO‐Compliant Ontology for Research Data Management in Materials Science and Engineering

open access: yesAdvanced Engineering Materials, EarlyView.
This article presents the NFDI‐MatWerk Ontology (MWO), a Basic Formal Ontology‐based framework for interoperable research data management in materials science and engineering (MSE). Covering consortium structures, research data management resources, services, and instruments, MWO enables semantic integration, Findable, Accessible, Interoperable, and ...
Hossein Beygi Nasrabadi   +4 more
wiley   +1 more source

Digitally Archiving Architectural Models and Exhibition Designs: The Case of an Art Museum [PDF]

open access: yes, 2015
[Excerpt] In 2013, a medium-sized art museum located in the Northeast United States received a grant to plan for an electronic records repository. This museum will be referred to here as USAM for brevity.
Cocciolo, Anthony
core   +1 more source

Evaluating Energy Absorption Performance of Filled Lattice Structures

open access: yesAdvanced Engineering Materials, EarlyView.
Maximum stress must be considered to robustly evaluate energy absorber designs. This approach was applied to compare all types of absorbers in a single Ashby diagram and determine the utility of filling lattice voids with a second material. High‐performance fillers can improve the performance of lattices that are limited by buckling or catastrophic ...
Christian Bonney   +2 more
wiley   +1 more source

A Contribution to the History of Architectural and Environmental Representation

open access: yesDiségno, 2018
It is necessary to reflect on the meaning of the term ‘Architectural Representation’ before tackling the themes related to its history over the centuries; this denomination was fully accepted into technical language only in relatively recent times ...
Mario Docci
doaj   +1 more source

On the Multivalence of Drawing

open access: yesDiségno, 2023
The paper explores fala’s process of drawing, not as a daily routine, but as a source of breakthroughs and reconsiderations in established projects. It expresses a preference for drawings that exist for their intrinsic value, embodying intangible ideas,
Filipe Magalhães, Lera Samovich
doaj   +1 more source

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