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Archaeology vs. History: Heinrich Hubsch's Critique of Neoclassicism and the Beginnings of Historicism in German Architectural Theory

open access: closedOxford Art Journal, 1983
ed from its historical context. It was a debate as much contemporary as historical in its impetus, although in 1822 Hiibsch had not yet formulated that architectural programme of his own, which Weinbrenner's renowned Karlsruhe Bauakademie, which Hiibsch attended from 1815 to 1817, was reputed throughout Germany as the upholder of the highest classical ...
Barry Bergdoll
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From Subject to Style in French Neoclassicism: Architectural Drawing in the Campagne

Studiolo, 2015
Du sujet au style dans le néoclassicisme français : dessin d’architecture dans la «Campagna» Le rôle de la ville de Rome dans la formation artistique a été reconnu comme central pour l’évolution de l’art occidental. La fonction de la campagna, comme alternative au programme de copies commandées par l’Académie française, n’a jamais reçu l ...
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ANTIQUITY AS THE ABSOLUTE MODEL OF ART AND STYLE. ARCHITECTURE, INTERIOR DECOR AND FURNITURE. FROM BAROQUE TO NEOCLASSICISM

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies
The topic of analysis is the hundred and fifty-year history of evolution of the French fascination with the culture and art of Antiquity, which in the 17th–18th centuries received a character of mania for Antiquity. That fascination led to the emergence and development of classicism and then of “Greek taste” (goût grec) and neoclassicism.
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Eclecticism at the Savoy Court in Turin: Landscape, Architectures and Apartments from late Neoclassicism to Neo-Baroque (1831-1900)

2021
In 1831, the king Carlo Felice died without male heirs, so the lateral branch of the Savoy family, the Princes of Carignano succeeded on the throne. The new king immediately decided to refresh the interior decoration of the Royal Palace in Turin. He promoted the expansion of his castle of Racconigi and the transformation of the castle of Pollenzo.
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