Results 31 to 40 of about 791 (178)

Imagining Ottoman Armenia: Realism and Allegory in Garabed Nichanian’s Provincial Wedding in Moush and Late Ottoman Art Criticism

open access: yesÉtudes Arméniennes Contemporaines, 2015
This essay examines the manifestation of Realism within the Constantinople Armenian intellectual milieu of the 1880s by delving into the hitherto untested waters of Ottoman visual art production and art criticism.
Vazken Khatchig Davidian
doaj   +1 more source

Grigor Narekatsi in the Scope of Levon Shant’s Scientific Interests

open access: yesArmenian Folia Anglistika, 2010
The article analyzes Levon Shant’s interpretations of the literary and ideological value of the works by Grigor Narekatsi, the medieval Armenian genius. Shant paid special attention to Narekatsi’s poetic art and his spiritual achievements, regarding them
Sargis Mkhitarian
doaj   +1 more source

THE EVOLUTION OF ARMENIAN LITURGICAL MUSIC

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2020
The purpose of this paper is to briefly outline the evolution of Armenian music, from Antiquity to the nineteenth century. The troubled history of the Armenian people defines to a great extent the way the arts have developed, and also the way that vast ...
Ágota BODURIAN
doaj   +1 more source

Reframing Ottoman Art Histories: Bringing Silenced Voices Back into the Picture

open access: yesÉtudes Arméniennes Contemporaines, 2015
This text is an introduction to the special issue of Études arméniennes contemporaines entitled “Towards Inclusive Art Histories: Ottoman Armenian Speak Back”.
Vazken Khatchig Davidian
doaj   +1 more source

Art of Tradition: The Armenian Gospel Books (Seventeenth Century) in the Gulbenkian Collection

open access: yesStudia Ceranea
This paper presents preliminary notes on three seventeenth-century Armenian Gospel Books preserved in the Calouste Gulbenkian Museum in Lisbon. For the first time, these manuscripts are examined through a comprehensive art-historical lens, with ...
Hermine Grigoryan   +5 more
doaj   +1 more source

Faire entendre la polyphonie du passé : pour une histoire repensée des arts ottomans

open access: yesÉtudes Arméniennes Contemporaines, 2015
This text is an introduction to the special issue of Études arméniennes contemporaines entitled “Towards Inclusive Art Histories: Ottoman Armenian Speak Back”.
Vazken Khatchig Davidian
doaj   +1 more source

HISTORICAL DATA ON THE MUSIC OF ARMENIANS IN TRANSYVANIA

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2020
This paper aims to present the Armenian music - especially the Armenian liturgical music - from Transylvania, based on the scant research conducted so far and also starting from the research carried out by the author, based on some recently discovered ...
Ágota BODURIAN
doaj   +1 more source

Towards climate‐conscious corporate restructuring: A comparative exploration of English and Bhutanese legal frameworks

open access: yesInternational Insolvency Review, EarlyView.
Abstract This paper conducts a comparative legal analysis of corporate restructuring frameworks in England and Bhutan, examining their capacity to integrate climate variability considerations and promote sustainable business practices. It discusses the procedural mechanisms for restructuring financially distressed enterprises available under the law of
Eugenio Vaccari, Migmar Lham
wiley   +1 more source

Konferencja „Ormianie polscy. Siedem wieków istnienia” Warszawa, 19 września 2017 roku

open access: yesLehahayer, 2018
Conference „Armenians in Poland. Seven Centuries of History” Senator Jan Żaryn, the Culture and Media Committee of the Senate, the Polish Academy of Art and Sciences in Kraków, with the help of the Armenian Culture Association and the Foundation of ...
Andrzej A. Zięba
doaj   +1 more source

“Never Trust a Survivor”: Historical Trauma, Postmemory and the Armenian Genocide in Kurt Vonnegut’s Bluebeard

open access: yesText Matters, 2021
The article focuses on Kurt Vonnegut’s lesser-known and underappreciated 1987 novel Bluebeard, which is analyzed and interpreted in the light of Marianne Hirsch’s seminal theory of postmemory. Even though it was published prior to Hirsch’s formulation of
Alicja Piechucka
doaj   +1 more source

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