Results 21 to 30 of about 1,029 (206)

Imagining Ottoman Armenia: Realism and Allegory in Garabed Nichanian’s Provincial Wedding in Moush and Late Ottoman Art Criticism

Études Arméniennes Contemporaines, 2015
This essay examines the manifestation of Realism within the Constantinople Armenian intellectual milieu of the 1880s by delving into the hitherto untested waters of Ottoman visual art production and art criticism.
Vazken Khatchig Davidian
doaj   +2 more sources

Manifestations of the Mongol-Armenian Relations in the Royal Art of the Armenian Kingdom of Cilicia

, 2017
Dans la seconde moitié du XIIIe siècle, à l’époque où le royaume arménien de Cilicie était engagé dans une alliance avec les Mongols, plusieurs nouveaux symboles et motifs apparurent dans les arts ciliciens, reflétant les relations arméno-mongoles contemporaines.
Գոհար Գրիգորյան
openaire   +2 more sources

CHALLENGES OF ART MANAGEMENT AND THE MATERIALIZATION OF ARMENIAN JEWELRY ARTS IN THE REPUBLIC OF ARMENIA

ALTERNATIVE
The article aims to showcase the perspectives and news of Armenian jewelry art on international platforms. This research is pertinent as Armenian jewelry has significant relevance both in the past and the present. To achieve the objective, the following issues have been set: to observe the possible sales forms of contemporary Armenian jewelry arts in ...
Lems NERSISYAN, Mane KHACHATRYAN
openaire   +2 more sources

METHODOLOGY OF THE HISTORICAL CHRONOLOGY OF "JEWELRY ART" IN ARMENIAN ARTISTIC CULTURE

JOURNAL FOR ARMENIAN STUDIES
In the current social situation, the educational system is dedicated to the rebirth of the national culture and creating respect towards other nations and their culture as well as providing youth with the necessities for their interests and making successful socialization possible.
David Vladimirovich Petrosyan
openaire   +3 more sources

Leo Tolstoy in the Armenian world of art

Philology and Culture, 2019
Azniv Melkonovna Chilingaryan
openaire   +2 more sources

The Respеption of Avetik Isahakyan’s “Lilith” Poem in the Panorama of Armenian Art

JOURNAL FOR ARMENIAN STUDIES
Avetik Isahakyan’s poem “Lilith” is one of the most distinctive works of Armenian literature, where a mythological prototype transforms into an artistic and symbolic cultural figure. Isahakyan interprets Lilith as a fiery, free-spirited and independent woman-ideal, whose beauty and unattainability transcend reality.
Lilit Gevorgyan
openaire   +3 more sources

Fragments of Armenian Miniature Art of the Ninth Century (Bagratid Kingdom Era)

Scrinium
Abstract Regrettably, numerous examples of early Armenian miniatures have not survived to the present day. The era of Arab dominance had a negative impact on Armenian manuscript art, leading to the loss of the manuscripts copied between the VII and IX centuries and only a handful of copies and guard-leaf sewn into the manuscripts have survived from ...
Seda Manukyan, Gohar Chatyan
openaire   +2 more sources

New Julfa as a Juncture of Armenian, European, and Persian Art

Orient
TAJARIAN, Yvette, GASPARYAN, Greta
openaire   +3 more sources

Architecture Stages and Features of Compositional Formations of Khachkars

Journal of Architectural and Engineering Research, 2022
The article touches upon the origin of khachkar art, symbolism, stages of compositional development, as well as characteristics of artistic means. Since the 9th century, khachkar art has become a means of expressing the spiritual aspirations, religious ...
Narine Emil Mkhitaryan, Sherly Andranik Avedian   +1 more
doaj   +1 more source

An Analytical Study of the Iranian-Armenian Paintings- Case Studies: Paintings of the Birth of Jesus Christ [PDF]

نگره, 2021
The origin of Armenian art in Iran dates back to the Median and Achaemenid eras. After the forced migration of the Armenians to Iran by Shah Abbas, the Armenian artistic heritage of Nizi was transferred to a new place.
Rafat Hosseiny nezhad, Nadia Maghuly
doaj   +1 more source