Results 21 to 30 of about 279,975 (211)
Schubert and Beethoven - Adorno’s early antipods of the music in bougeois epoch [PDF]
Filozofija i Društvo, 2012 In this article the authors are reconstructing the dichotomies which the young Theodor Adorno was trying to detect in the music of the bourgeois epoch and personify in two antipodes - Franz Schubert and Ludwig van Beethoven. Although already a devotee
Jeremić-Molnar Dragana +1 more
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Il poema sinfonico nell'opera giovanile di Arnold Schoenberg [PDF]
, 2008 Gli esordi di Arnold Schoenberg sono da qualche tempo al centro dell'interesse della ricerca musicologica. La rinnovata attenzione verso le opere giovanili del compositore viennese è legata a doppio filo ai motivi di un nuovo dibattito storiografico ...
Finocchiaro, Francesco
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Cross-contaminations: On Schönberg's political beliefs and his music theoretical writings [PDF]
Zbornik Radova Akademije Umetnosti, 2020 This paper aims to show how Arnold Schönberg's political views permeate his theoretical writings and to a lesser degree even his musical works. Scholars usually point to works such as Ode to Napoleon Buonaparte or A Survivor from Warsaw, when discussing ...
Noda Haruki
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Music Analysis, Volume 39, Issue 2, Page 190-213, July 2020., 2020 ABSTRACT The first movement of Roberto Gerhard's Quartetto No. 3 (ca. 1927), his final assignment under Schoenberg, represents a direct homage to the teacher. Gerhard finished the movement with a clearly identifiable allusion to the minor and major chords that close Schoenberg's String Quartet in F♯ minor No. 2, Op. 10 (1907–8).
Diego Alonso Tomás
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Arnold Schönberg and musica artificiosa : a rationality in the musical composition
Musicologica Brunensia, 2017 Concepts musica artificiosa and rationality are part of modern aesthetic-philosophical discours of music. Arnold Schönberg and Anton Webern can be considered an originators of the discours of rationalism.
Vladimír Fulka
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Adorno on Schenker: Reconstructing the Formation of a Critique
Music Analysis, Volume 39, Issue 2, Page 240-265, July 2020., 2020 ABSTRACT Since the publication in 1982 of Theodor Adorno's late lecture ‘On the Problem of Musical Analysis’, it has been well established that Adorno had an ambivalent attitude towards Heinrich Schenker's analytical method, to the extent that the two men are usually thought of as antagonists while sharing the same concern for a work‐immanent ...
SEBASTIAN WEDLER
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Der Briefwechsel der Wiener Schule [PDF]
Muzikologija, 2002 (nemački) Der Stil von Schönbergs Briefen ist impulsiv, auf Mitteilung ausgerichtet, iM Vergleich zur Schreibart manches Zeitgenossen vielleicht weniger ausgefeilt, spontaner.
Dobretsberger Barbara
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La musica attraverso la poesia: Arnold Schönberg
Linguae &: Rivista di Lingue e Culture Moderne, 2016 The essay intends to explore the musical thought of Arnold Schönberg in relation to the theories of literary expressionism. The composer refers to a poetic language which becomes a musical voice and is able to change ‘verbal’ words into ‘musical’ words ...
Runco Maria Innocenza
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Pedagogical contributions of Arnold Schönberg composition’s method
Revista Electrónica Complutense de Investigación en Educación Musical, 2017 Arnold Schoenberg’s twelve-tone technique made him one of the most influential composers of the twentieth century, but his contribution to music pedagogy remains far less well known. This article is a descriptive and interpretive work and therefore tries
Josep Gustems Carnicer +1 more
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Arbor: Ciencia, Pensamiento y Cultura, 2009 Este texto pretende acercarse a la figura de Moisés tal como se elabora en el relato “La ley” de Thomas Mann (1943), y la ópera “Moisés y Aarón” de Arnold Schönberg (1932).
Fernando Bayón
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