Results 21 to 30 of about 8,337 (177)
Arnold Schönberg and musica artificiosa : a rationality in the musical composition
Musicologica Brunensia, 2017 Concepts musica artificiosa and rationality are part of modern aesthetic-philosophical discours of music. Arnold Schönberg and Anton Webern can be considered an originators of the discours of rationalism.
Vladimír Fulka
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, 2015 Die vorliegende Arbeit will den ersten Satz von Schönbergs drittem Streichquartettop. 30 analysieren, welches den Versuch darstellt, mit der Zwölftontechnik eine klassische Sonate zurealisieren.
Asai, Yuta
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Il poema sinfonico nell'opera giovanile di Arnold Schoenberg [PDF]
, 2008 Gli esordi di Arnold Schoenberg sono da qualche tempo al centro dell'interesse della ricerca musicologica. La rinnovata attenzione verso le opere giovanili del compositore viennese è legata a doppio filo ai motivi di un nuovo dibattito storiografico ...
Finocchiaro, Francesco
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Music Analysis, Volume 39, Issue 2, Page 190-213, July 2020., 2020 ABSTRACT The first movement of Roberto Gerhard's Quartetto No. 3 (ca. 1927), his final assignment under Schoenberg, represents a direct homage to the teacher. Gerhard finished the movement with a clearly identifiable allusion to the minor and major chords that close Schoenberg's String Quartet in F♯ minor No. 2, Op. 10 (1907–8).
Diego Alonso Tomás
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Der Briefwechsel der Wiener Schule [PDF]
Muzikologija, 2002 (nemački) Der Stil von Schönbergs Briefen ist impulsiv, auf Mitteilung ausgerichtet, iM Vergleich zur Schreibart manches Zeitgenossen vielleicht weniger ausgefeilt, spontaner.
Dobretsberger Barbara
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Adorno on Schenker: Reconstructing the Formation of a Critique
Music Analysis, Volume 39, Issue 2, Page 240-265, July 2020., 2020 ABSTRACT Since the publication in 1982 of Theodor Adorno's late lecture ‘On the Problem of Musical Analysis’, it has been well established that Adorno had an ambivalent attitude towards Heinrich Schenker's analytical method, to the extent that the two men are usually thought of as antagonists while sharing the same concern for a work‐immanent ...
SEBASTIAN WEDLER
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La musica attraverso la poesia: Arnold Schönberg
Linguae &: Rivista di Lingue e Culture Moderne, 2016 The essay intends to explore the musical thought of Arnold Schönberg in relation to the theories of literary expressionism. The composer refers to a poetic language which becomes a musical voice and is able to change ‘verbal’ words into ‘musical’ words ...
Runco Maria Innocenza
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La mala conciencia del éxito : apuntes sobre la Viena moderna y la estética de Theodor W. Adorno [PDF]
, 2007 El presente artículo pretende examinar cómo algunas de las premisas establecidas en la Dialéctica de la ilustración, y desarrolladas por Theodor W. Adorno en su posterior teoría estética, hunden sus raíces en el panorama cultural del fin de siècle vienés.
Santana, Sandra
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Pedagogical contributions of Arnold Schönberg composition’s method
Revista Electrónica Complutense de Investigación en Educación Musical, 2017 Arnold Schoenberg’s twelve-tone technique made him one of the most influential composers of the twentieth century, but his contribution to music pedagogy remains far less well known. This article is a descriptive and interpretive work and therefore tries
Josep Gustems Carnicer +1 more
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Arbor: Ciencia, Pensamiento y Cultura, 2009 Este texto pretende acercarse a la figura de Moisés tal como se elabora en el relato “La ley” de Thomas Mann (1943), y la ópera “Moisés y Aarón” de Arnold Schönberg (1932).
Fernando Bayón
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