Results 51 to 60 of about 353 (101)
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The Role and Place of the Middle Persian Language and Writing in Caucasian Albania
Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, 2021A significant political influence of Sasanian Iran on Caucasian Albania gives reasons to consider the spread of the Middle Persian language and writing among the Albanian nobility and authorities.
M. Gadzhiev
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European Journal of Archaeology, 2018
Animated Objects of Viking Age Scandinavia and Early Medieval Europe. Archaeological Dialogues, 24(1): 89–108. Meller, H., ed. 2004. Der Geschmiedete Himmel: Die Weite Welt im Herzen Europas vor 3600 Jahren.
Eve Macdonald
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Animated Objects of Viking Age Scandinavia and Early Medieval Europe. Archaeological Dialogues, 24(1): 89–108. Meller, H., ed. 2004. Der Geschmiedete Himmel: Die Weite Welt im Herzen Europas vor 3600 Jahren.
Eve Macdonald
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Bahl Šahastan in the land of the K‘ušans: Medieval Armenian memories of Balkh as an Arsacid capital
Bulletin of the School of Oriental and African Studies, 2021This paper explores the medieval Armenian understanding of the city of Balkh as a capital of the Arsacid Empire. Medieval Armenian sources employ four strategies of remembrance: scriptural geography, genealogy, folk etymology, and origin stories.
Alison Vacca
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Marble columnar sarcophagi in the context of the Arsacids palace residence in Garni
ARAMAZD: Armenian Journal of Near Eastern StudiesThe palace complex of the Arsacids was opened in Garni in 1952-1953. About 70 pieces of marble lay on the floor of the second room in the southeastern half of the palace. The collection consists of pieces of two types.
H. Margaryan
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Cedrus
Pre-Christian Armenia’s religious landscape was a diverse blend of polytheistic beliefs shaped by its position at the crossroads of various civilizations. The Armenian pantheon and religious practices incorporated elements from Ancient Persia, Asia Minor,
İlhami Tekin Ci̇nemre
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Pre-Christian Armenia’s religious landscape was a diverse blend of polytheistic beliefs shaped by its position at the crossroads of various civilizations. The Armenian pantheon and religious practices incorporated elements from Ancient Persia, Asia Minor,
İlhami Tekin Ci̇nemre
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Scientific Bulletin of the Izmail State University of Humanities Section «Historical sciences»
Medieval Armenian sources which refer to the kings of Greater Armenia who ruled from 331 BC to 428 AD use the general term "Armenian Arsacids." At the same time, historians, based on a much larger number of sources, distinguish at least three royal ...
Ruslan Kobzar
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Medieval Armenian sources which refer to the kings of Greater Armenia who ruled from 331 BC to 428 AD use the general term "Armenian Arsacids." At the same time, historians, based on a much larger number of sources, distinguish at least three royal ...
Ruslan Kobzar
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2022
Hitherto, in descriptively treating of the Sperm Whale, I have chiefly dwelt upon the marvels of his outer aspect; or separately and in detail upon some few interior structural features.
Herman Melville, Hester Blum
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Hitherto, in descriptively treating of the Sperm Whale, I have chiefly dwelt upon the marvels of his outer aspect; or separately and in detail upon some few interior structural features.
Herman Melville, Hester Blum
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Iraq, 1981
The use of cuneiform as a recording medium survived in Babylonia some 500 years after the loss of political independence. Records from the Arsacid period, however, are not numerous nor have those published been subject to systematic study. The texts presented here are among the latest administrative records in cuneiform and are concerned primarily with
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The use of cuneiform as a recording medium survived in Babylonia some 500 years after the loss of political independence. Records from the Arsacid period, however, are not numerous nor have those published been subject to systematic study. The texts presented here are among the latest administrative records in cuneiform and are concerned primarily with
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Topoi, 2011
Invernizzi Antonio. Parthian Art – Arsacid Art. In: Topoi, volume 17/1, 2011. pp. 189-207.
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Invernizzi Antonio. Parthian Art – Arsacid Art. In: Topoi, volume 17/1, 2011. pp. 189-207.
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Reign of Arrows, 2020
This chapter investigates the initial failure of the Seleucids in their attempt to reclaim the lost lands of the east. It discusses the failed eastern expedition of Seleucus II; however, its focus is the sudden renewal of Seleucid power under the ...
Nikolaus Leo Overtoom
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This chapter investigates the initial failure of the Seleucids in their attempt to reclaim the lost lands of the east. It discusses the failed eastern expedition of Seleucus II; however, its focus is the sudden renewal of Seleucid power under the ...
Nikolaus Leo Overtoom
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