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Art Digital Jewellery: Practitioners’ Perspectives
Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction, 2021We introduce the term 'Art Digital Jewellery' as a label for craft-oriented, bespoke approaches to embedding electronics in jewellery. These unconventional digital-physical jewellery practices struggle for attention compared with higher profile, often more mass-production oriented wearables. This is partly because discourses articulating and critiquing
Koulidou, Nantia, Mitchell, Robb
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World Policy Journal, 2010 Digital art that can be shortly defined as the art produced in electronic field has been changing and transforming contemporary knowledge, point of view, and conscious with the theories and concepts related to technology. Digital art that can use numerous art forms or technique descriptions together inquires the interaction of person with his own ...
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Digital Art Events and Digital Art Museums
2021The development of information communication technologies and the increase in use have made it utilized as a tool for cultural and artistic production. Digital art, where technology and art coexist, has created a free working space for the artist. Digital art is a contemporary type of art that includes many different art methods such as sound art ...
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CHI '13 Extended Abstracts on Human Factors in Computing Systems, 2013
In this SIG for the Digital Arts Community, we respond to the conference theme of changing perspectives by offering challenging perspectives. The challenge comes in a two-way exchange between Digital Art and HCI. On the one side we have the making of new and unique forms, i.e. synthesis.
David England +4 more
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In this SIG for the Digital Arts Community, we respond to the conference theme of changing perspectives by offering challenging perspectives. The challenge comes in a two-way exchange between Digital Art and HCI. On the one side we have the making of new and unique forms, i.e. synthesis.
David England +4 more
openaire +1 more source
CHI '12 Extended Abstracts on Human Factors in Computing Systems, 2012
This SIG examines the vexed question of evaluation of Digital Art and how lessons on evaluation can be exchanged between the arts and mainstream HCI. We start by looking at critiques of standard approaches to evaluation in HCI. We then look at approaches, which have been developed in Digital Art to merge qualitative and quantitative methods.
David England +5 more
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This SIG examines the vexed question of evaluation of Digital Art and how lessons on evaluation can be exchanged between the arts and mainstream HCI. We start by looking at critiques of standard approaches to evaluation in HCI. We then look at approaches, which have been developed in Digital Art to merge qualitative and quantitative methods.
David England +5 more
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CHI '13 Extended Abstracts on Human Factors in Computing Systems, 2013
This panel considers the relationships between the interactive arts, audience engagement and experience design. What might each offer the other? Engagement and experience are central to current HCI thinking. We will present and argue about the research issues of defining and understanding audience/user engagement and experience in the context of art.
Ernest Edmonds +5 more
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This panel considers the relationships between the interactive arts, audience engagement and experience design. What might each offer the other? Engagement and experience are central to current HCI thinking. We will present and argue about the research issues of defining and understanding audience/user engagement and experience in the context of art.
Ernest Edmonds +5 more
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ACM SIGGRAPH Computer Graphics, 1995
Digital art is everywhere changing our perceptions of what art is and what it will become. As technological expression has developed as a new language, certain concerns have arisen indicating the degree to which society understands the technology.In the mid 1960s, when computer-mediated art was first shown publicly, one of the first concerns voiced by ...
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Digital art is everywhere changing our perceptions of what art is and what it will become. As technological expression has developed as a new language, certain concerns have arisen indicating the degree to which society understands the technology.In the mid 1960s, when computer-mediated art was first shown publicly, one of the first concerns voiced by ...
openaire +1 more source