Results 91 to 100 of about 57,428 (296)

‘The Good Couscous That Pleases Us!’: The Meanings of Enduring Imperialist Imagery in Postcolonial French Food Advertising, 1970–2000

open access: yesGender &History, EarlyView.
ABSTRACT This article examines a wave of Orientalism‐inspired food commercials that appeared on television in France between 1975 and 2000. Older commercials for couscous were more banal, emphasizing a given product's superiority or affordability. Around 1975, however, there was a concerted shift in the advertising; new spots contained exoticized ...
Kelly Ricciardi Colvin
wiley   +1 more source

Queen Victoria Museum and Art Gallery Annual report

open access: yes
2005 ...
Queen Victoria Museum and Art Gallery (Launceston, Tas.)
core   +1 more source

Change is permanent: thoughts on the fading of cochineal-based watercolor pigments

open access: yesHeritage Science, 2017
Background Color change in artworks has been commented on for centuries. Fading of watercolor pigments is a notable alteration. Pigments based on carminic acid are among those particularly prone to color loss, but the mechanism and factors are not well ...
Barbara H. Berrie, Yoonjoo Strumfels
doaj   +1 more source

YMCA building photograph

open access: yes, 1880
Photograph of the YMCA building in Columbus, Ohio, by the Baker Art Gallery, ca. 1880-1915.
Baker Art Gallery (Photographer)
core  

Walking Through Housing History: Creative Histories Beyond the Classroom

open access: yesHistory, EarlyView.
Abstract How might walking be used to support a creative and historically informed approach to learning about public health, environmental health and housing and take students beyond the traditional confines of the classroom? In this article, we discuss the development and delivery of a North London walking tour close to a university campus.
Zoë Hendon, Jill Stewart
wiley   +1 more source

REPAIR AND RECONSTRUCTION FOR URBAN COMMONING: The Making of the Liberated Spaces in Naples

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract Commoning requires repair. Where capitalist logics of accumulation, enclosure and exclusion produce abandoned space through the city, urban commoners remake that space to serve the needs of inhabitants. Without hiding the paradoxes and risks of repair, based on years‐long ethnography in the Liberated Spaces in Naples, Italy, we demonstrate how
Martina Locorotondo, Adam Fishwick
wiley   +1 more source

VISUAL NEGOTIATIONS OF GENTRIFICATION IN TORONTO: Contestation, Politicization and Resistance through Urban Signage

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract This article engages signage as a medium through which urban stakeholders negotiate the politics of housing redevelopment and gentrification in cities. Focusing on Toronto, we examine housing‐related signage in three neighbourhoods where social mix approaches to redevelopment have ushered in gentrification: Parkdale, Regent Park, and Moss Park.
Lindi Jahiu   +2 more
wiley   +1 more source

Letter from Hell's Kitchen Art Gallery to John and Helen Farr Sloan, May 3, 1948

open access: yes, 1948
1 leaf (single sided)Letter from Hell's Kitchen Art Gallery to John and Helen Farr Sloan, May 3 ...
Hell's Kitchen Art Gallery
core   +1 more source

New view : indigenous photographic perspectives from the Monash Gallery of Art permanent collection

open access: yes, 2003
Drawn almost entirely from the collection of Monash Gallery of art, the exhibition explores issues of politics, religion, reconciliation and the future of Indigenous Australians from an Indigenous perspective. - director's forward, p. 1. Catalogue essay:
Monash Gallery of Art
core  

DECOLONIZING CREATIVE GEOGRAPHIES OF ART BIENNIALS: A Study of Istanbul's Yeditepe Biennial through the Cultural Politics of Turkish Islamic Nationalism

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the Yeditepe Biennial ...
Hulya Arik, Sabrien Amrov
wiley   +1 more source

Home - About - Disclaimer - Privacy