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, 1883 James S. Lippincott
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Leadless decorative tiles, faience, and mosaic : comprising notes and excerpts on the history, materials, manufacture & use of ornamental flooring tiles, ceramic mosaic, and decorative tiles and faience, with complete series of recipes for tile-bodies, and for leadless glazes and art-tile enamels [PDF]
, 1904 WmJ. Furnival, Charles Lang Freer
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Art. XIV.—The Migrations and Early History of the White Huns; principally from Chinese Sources [PDF]
, 1878 THOS. W. KINGSMILL
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, 2012 Biennials have been central to the development of contemporary art for decades, but there is a paucity of published material specifically related to this subject.
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The Journal of Aesthetics and Art Criticism, 1993 Opening many textbooks of art history, one finds "prehistoric" images like the paleolithic cave paintings from Lascaux or Altamira standing for the history of pictorial art from its hypothetical inception about forty thousand years ago until about 10,000 B.C., that is, for the first half or three-quarters of the entire preserved duration of human image
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Art. XIII.—Contributions to the History of Aḥiḳar and Nadan [PDF]
, 1900 M. Gaster
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Subjectivity in Art History and Art Criticism
Rupkatha Journal on Interdisciplinary Studies in Humanities, 2010 Art history and art criticism belong in a wider sense to the humanities, whose aim is the interpretation and comprehension of human actions and intellectual work. Both fields draw their basic methodological tools from the hermeneutical tradition. Their central analytic category is comprehension (verstehen) that seeks to ascribe meaning to the spirit of
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