Results 161 to 170 of about 14,158 (198)
Some of the next articles are maybe not open access.
Introduction: Art's Histories Without Art History
ARTMargins, 2022Abstract The introductory text situates the therapeutic practices of Gina Ferreira and Lula Wanderley in relation to the work of Brazilian modernist artist Lygia Clark. Ferreira is a social psychologist who uses the arts—for instance, photography and film—for the socialization and treatment of psychiatric patients. Wanderley is an artist
openaire +1 more source
2021
Review of A History of Art History, Reviewed January 2021 by Jenna Dufour, Research Librarian for Visual Arts, University of California Irvine, dufourj@uci.edu.
openaire +1 more source
Review of A History of Art History, Reviewed January 2021 by Jenna Dufour, Research Librarian for Visual Arts, University of California Irvine, dufourj@uci.edu.
openaire +1 more source
History of Art and Anthropology of Art
Res: Anthropology and aesthetics, 2002In April 2000, the French president opened a permanent exhibition of primitive art in the Mus?e du Louvre in Paris. Jacques Chirac directly sponsored this exhibition, entrusting a collector and dealer (who was neither an art historian nor an anthropologist) with the task of organizing the entire show.
openaire +3 more sources
The History of Psychiatry as the History of an Art
British Journal of Psychiatry, 1975T. S. Eliot, standing on his doorstep, with his Boston Evening Transcript in his hand, ‘turned wearily as he would turn to nod goodbye to Rochefoucauld if the street were time and he at the end of the street’. The same weary gaze characterizes the attitude of most psychiatrists towards important figures in the past history of their subject.
openaire +2 more sources
World Futures, 1994
Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
openaire +1 more source
Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
openaire +1 more source
Fertility and Sterility, 2004
The standard questionnaire is a tool to collect information for a survey, but its validity for patient management is doubtful. Taking a history is a skill that cannot be replaced by a questionnaire.
Togas, Tulandi, Robert, Platt
openaire +2 more sources
The standard questionnaire is a tool to collect information for a survey, but its validity for patient management is doubtful. Taking a history is a skill that cannot be replaced by a questionnaire.
Togas, Tulandi, Robert, Platt
openaire +2 more sources
On the Universality of the History of Art*
Art Journal, 1982The difficulties of writing about the methodology of the history of art are many: fear of being obvious, obscure, or doctrinaire; reticence in raising fundamental issues when established ways seem perfectly acceptable within the academy; a confusing tendency to borrow without reflection from fields such as anthropology or literature in which debates on
openaire +1 more source
Neurology, 1990
Ancient humans, lacking devices to store large amounts of information, invented and developed a system of mnemonics which evolved and passed to modern times. The mnemonics, collectively known as the Ancient Art of Memory, were discovered in 447 BC by a Greek poet, Simonides, and were adequately described by Cicero, Quintilian, and Pliny.
openaire +2 more sources
Ancient humans, lacking devices to store large amounts of information, invented and developed a system of mnemonics which evolved and passed to modern times. The mnemonics, collectively known as the Ancient Art of Memory, were discovered in 447 BC by a Greek poet, Simonides, and were adequately described by Cicero, Quintilian, and Pliny.
openaire +2 more sources
Art History, Art Museums, and Power: A Critical Art History Curriculum
Art History Pedagogy & Practice, 2020Engaging in the recent tradition of disciplinary and instructional self-critique by art historians teaching at the college level, this teaching practice reflection pursues the question of how an art history survey class can benefit from activities grounded in theoretical texts.
openaire +1 more source
The Austral Islands: history, art and art history
The Journal of Pacific History, 2013Rhys Richards is an independent researcher with an amateur's passion for Polynesian history and a sleuth's taste for facts, evidence and detail.
openaire +1 more source