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Introduction: Art's Histories Without Art History
ARTMargins, 2022Abstract The introductory text situates the therapeutic practices of Gina Ferreira and Lula Wanderley in relation to the work of Brazilian modernist artist Lygia Clark. Ferreira is a social psychologist who uses the arts—for instance, photography and film—for the socialization and treatment of psychiatric patients. Wanderley is an artist
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‘New Art History’ vs. ‘Old History’: writing art history
Byzantine and Modern Greek Studies, 1986Readers of the judicious paper by John Haldon on ‘“Jargon” vs. “the Facts”?’ Byzantine History-Writing and Contemporary Debates’ will have looked in vain for comment on the status of visual evidence. It is not that art is entirely unmentioned — a reference is made to the history of art and of cultural production in general as belonging to the history ...
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2023
It is intended for study in professional educational organizations of secondary vocational education that implement the educational program of secondary vocational education for training middle-level specialists in the specialty 43.01.02 "Hairdresser". Meets the requirements of the federal state educational standards of secondary vocational education.
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It is intended for study in professional educational organizations of secondary vocational education that implement the educational program of secondary vocational education for training middle-level specialists in the specialty 43.01.02 "Hairdresser". Meets the requirements of the federal state educational standards of secondary vocational education.
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2019
Art history and the health sciences are disciplines that are uniquely positioned to enrich each other. Traditionally, careful observation of anatomy led to more realistic art, while anatomic drawings allowed medical practitioners to learn about the human body.
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Art history and the health sciences are disciplines that are uniquely positioned to enrich each other. Traditionally, careful observation of anatomy led to more realistic art, while anatomic drawings allowed medical practitioners to learn about the human body.
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History and Theory, 2004
abstractThis article is presented in two parts. In part I, I call into question the viability of a currently received opinion about the foundations of the subject called “Art History,” primarily by challenging assumptions that are implicit in conventional uses of the terms “art” and “work of art.” It is widely supposed that works of art are items of a ...
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abstractThis article is presented in two parts. In part I, I call into question the viability of a currently received opinion about the foundations of the subject called “Art History,” primarily by challenging assumptions that are implicit in conventional uses of the terms “art” and “work of art.” It is widely supposed that works of art are items of a ...
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1996
Artful Histories is an account of modern Australian autobiography that radically revises theories of autobiography and discusses a remarkably broad range of popular and literary texts written over a period of three decades. In his challenge to post-structuralist theories of autobiography, particularly in terms of autobiography's relationship with ...
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Artful Histories is an account of modern Australian autobiography that radically revises theories of autobiography and discusses a remarkably broad range of popular and literary texts written over a period of three decades. In his challenge to post-structuralist theories of autobiography, particularly in terms of autobiography's relationship with ...
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Art History, 2004
Art History and Visual Culture have been the subject of vigorous debate in recent years. Both are the focus of dedicated journals, publishers' lists, conferences and courses. The introduction explores the relationship between the two: are art history and visual studies distinct, antagonistic, or complementary enterprises?
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Art History and Visual Culture have been the subject of vigorous debate in recent years. Both are the focus of dedicated journals, publishers' lists, conferences and courses. The introduction explores the relationship between the two: are art history and visual studies distinct, antagonistic, or complementary enterprises?
openaire +1 more source