Results 311 to 320 of about 2,763,859 (344)
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2021
Review of A History of Art History, Reviewed January 2021 by Jenna Dufour, Research Librarian for Visual Arts, University of California Irvine, dufourj@uci.edu.
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Review of A History of Art History, Reviewed January 2021 by Jenna Dufour, Research Librarian for Visual Arts, University of California Irvine, dufourj@uci.edu.
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World Futures, 1994
Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Abstract Like any science, art history is based on certain assumptions proper to the discipline: that every work of art is an absolute and unique statement, that anything man‐made is a work of art, that everything in it is intended by its creator to be there, and that it includes within itself everything necessary for its own decipherment.
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Irish Studies Review, 2007
Art in Belfast 1760–1888: Art Lovers or Philistines?, Eileen Black, 2006, Dublin, Irish Academic Press, pp.
Tara Stubbs +13 more
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Art in Belfast 1760–1888: Art Lovers or Philistines?, Eileen Black, 2006, Dublin, Irish Academic Press, pp.
Tara Stubbs +13 more
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History of Art and Anthropology of Art
Res: Anthropology and aesthetics, 2002In April 2000, the French president opened a permanent exhibition of primitive art in the Mus?e du Louvre in Paris. Jacques Chirac directly sponsored this exhibition, entrusting a collector and dealer (who was neither an art historian nor an anthropologist) with the task of organizing the entire show.
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The History of Art and the Art of History
College Art Journal, 1946Two recent articles in the College Art Journal1 have directed strong criticism upon the field of art history in American colleges and universities today. Mr. Wright has objected to the kind of textbooks available for use in art history courses, and has made specific recommendations for a different type of book on Far Eastern Art by more than fifty ...
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The History of Psychiatry as the History of an Art
British Journal of Psychiatry, 1975T. S. Eliot, standing on his doorstep, with his Boston Evening Transcript in his hand, ‘turned wearily as he would turn to nod goodbye to Rochefoucauld if the street were time and he at the end of the street’. The same weary gaze characterizes the attitude of most psychiatrists towards important figures in the past history of their subject.
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The Austral Islands: history, art and art history
The Journal of Pacific History, 2013Rhys Richards is an independent researcher with an amateur's passion for Polynesian history and a sleuth's taste for facts, evidence and detail.
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Journal of Aesthetics and Art Criticism, 2002
Despite the precedent of St. Paul who was understandably flogged for his temerity in most of the cultural centers of his age, I preach a doctrine that is no less offensive than his, to a contemporary ear. Art has no history, and art museums are intellectually abhorrent institutions to the extent that their acquisitive curators take the recognition of a
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Despite the precedent of St. Paul who was understandably flogged for his temerity in most of the cultural centers of his age, I preach a doctrine that is no less offensive than his, to a contemporary ear. Art has no history, and art museums are intellectually abhorrent institutions to the extent that their acquisitive curators take the recognition of a
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Fertility and Sterility, 2004
The standard questionnaire is a tool to collect information for a survey, but its validity for patient management is doubtful. Taking a history is a skill that cannot be replaced by a questionnaire.
Robert W. Platt, Togas Tulandi
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The standard questionnaire is a tool to collect information for a survey, but its validity for patient management is doubtful. Taking a history is a skill that cannot be replaced by a questionnaire.
Robert W. Platt, Togas Tulandi
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The history of memory arts [PDF]
Neurology, 1990 Ancient humans, lacking devices to store large amounts of information, invented and developed a system of mnemonics which evolved and passed to modern times. The mnemonics, collectively known as the Ancient Art of Memory, were discovered in 447 BC by a Greek poet, Simonides, and were adequately described by Cicero, Quintilian, and Pliny.
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