Results 51 to 60 of about 380,155 (224)
This paper presents the project of affective modern art history in Poland in the perspective of ethics and affirmative humanities. In respect to the specific situation of the post-war art history field in Poland the author addresses the following questions: What is affect? How can the category of affect be applied to studying works of art?
Benjamin Koschalka, Luiza Nader
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On the occasion of the 100th birthday of the art and architecture historian Renate Wagner-Rieger, the University of Vienna in cooperation with the Austrian Academy of Sciences organized an international conference in November 2021.1 Wagner-Rieger, who ...
Ingeborg Schemper - Sparholz+1 more
doaj
Asserting the Vernacular: Contested Musealities and Contemporary Art in Lima, Peru
This essay examines three museums of contemporary art in Lima, Peru: MAC (Museum of Contemporary Art), MALI (Lima Art Museum), and MASM (San Marcos Art Museum).
Gabriela Germana, Amy Bowman-McElhone
doaj +1 more source
HIE-SQL: History Information Enhanced Network for Context-Dependent Text-to-SQL Semantic Parsing [PDF]
Recently, context-dependent text-to-SQL semantic parsing which translates natural language into SQL in an interaction process has attracted a lot of attention. Previous works leverage context-dependence information either from interaction history utterances or the previous predicted SQL queries but fail in taking advantage of both since of the mismatch
arxiv
Making History Matter: History-Advantage Sequence Training for Visual Dialog [PDF]
We study the multi-round response generation in visual dialog, where a response is generated according to a visually grounded conversational history. Given a triplet: an image, Q&A history, and current question, all the prevailing methods follow a codec (i.e., encoder-decoder) fashion in a supervised learning paradigm: a multimodal encoder encodes the ...
arxiv
Convexity in Greek antiquity [PDF]
We consider several appearances of the notion of convexity in Greek antiquity, more specifically in mathematics and optics, in the writings of Aristotle, and in art. The final version of this article will appear in the book `Geometry in History', ed. S. G. Dani and A. Papadopoulos, Springer Verlag, 2019.
arxiv
Art History as Ekphrasis [PDF]
This paper makes a case for the essentially rhetorical nature of the art-historical enterprise: description is the key act which both translates the object’s object-hood into words appropriable for art-historical argument and betrays that object-hood by making the object something other than it materially is, a word-picture.
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The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The "History of Computer Art" features examples of early developments in
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Annotating shadows, highlights and faces: the contribution of a 'human in the loop' for digital art history [PDF]
While automatic computational techniques appear to reveal novel insights in digital art history, a complementary approach seems to get less attention: that of human annotation. We argue and exemplify that a 'human in the loop' can reveal insights that may be difficult to detect automatically.
arxiv
On the history of ring geometry (with a thematical overview of literature) [PDF]
In this survey paper we give an historical and at the same time thematical overview of the development of ring geometry from its origin to the current state of the art. A comprehensive up-to-date list of literature is added with articles that treat ring geometry within the scope of incidence geometry.
arxiv