Results 61 to 70 of about 9,268,768 (290)
History of Art: History of vocal art [PDF]
, 2017 Робоча програма навчального курсу «Історія вокального мистецтва» є нормативним документом Київського університету імені Бориса Грінченка, який розроблено на основі освітньо-професійної програми підготовки бакалаврів відповідно до навчального плану ...
Каблова, Тетяна Борисівна
core
Peristil, 2022 On the occasion of the 100th birthday of the art and architecture historian Renate Wagner-Rieger, the University of Vienna in cooperation with the Austrian Academy of Sciences organized an international conference in November 2021.1 Wagner-Rieger, who ...
Ingeborg Schemper - Sparholz +1 more
doaj
, 2016 The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The "History of Computer Art" features examples of early developments in
openaire +3 more sources
Procedia - Social and Behavioral Sciences, 2014 AbstractText of the present study is a contribution to solving the issue of the relationship of myth, history and art (poetry). In general, it presents an analysis of the linkages between myth, history and poetry, creating a theoretical basis for future empirical analysis of individual literary works.
Kateřina Ďoubalová, Igor Fic
openaire +2 more sources
‘Most I saw were very dirty, some very ragged and all of very coarse cloth’: the conservation of the nineteenth-century student gown in the Hunterian, University of Glasgow [PDF]
, 2012 A rare and important 19th century student gown in the collection of the Hunterian Museum had survived remarkably intact over the years, but to ensure its future long-term preservation, it was sent to the University of Glasgow Centre for Textile ...
Benner, Julie +2 more
core +2 more sources
Art History as Ekphrasis [PDF]
Art History, 2010 This paper makes a case for the essentially rhetorical nature of the art-historical enterprise: description is the key act which both translates the object’s object-hood into words appropriable for art-historical argument and betrays that object-hood by making the object something other than it materially is, a word-picture.
openaire +3 more sources
Teksty Drugie, 2015 This paper presents the project of affective modern art history in Poland in the perspective of ethics and affirmative humanities. In respect to the specific situation of the post-war art history field in Poland the author addresses the following questions: What is affect? How can the category of affect be applied to studying works of art?
Benjamin Koschalka, Luiza Nader
openaire +4 more sources
Capstone 2019 Art and Art History Senior Projects
, 2019 This booklet profiles Art Senior Projects by Angelique J. Acevedo, Arin Brault, Bailey Harper, Sue Holz, Yirui Jia, Jianrui Li, Annora B. Mack, Emma C. Mugford, Inayah D. Sherry, Jacob H. Smalley, Laura Grace Waters and Laurel J. Wilson.
Art and Art History Department,
core
Historical and Trans-historical Time of Art [PDF]
, 2009 The relationship between art and time is one of pre-figuration–transfiguration, a continuous exchange between the art of the present and that of the past and it is in this sense that we can understand how the works of art are have almost their entire ...
Mouriki, Alexandra
core
Talking about a Christine Borland sculpture: effective empathy in contemporary anatomy art (and an emerging counterpart in medical training?) [PDF]
, 2015 This Introduction and interview discusses the poetical and empathic insights that are a key to the effectiveness of contemporary artist Christine Borland's practice and its relevance to the medical humanities, visual art research and medical students ...
Christine Borland +3 more
core +2 more sources