Results 11 to 20 of about 20,469 (263)
Museums and art therapy: A bibliometric analysis of the potential of museum art therapy
In this paper, the current promotion of art therapy in museum development and the potential value of the combination of museum and art therapy on mental health are explored.
Zhizi Wei, Chaofang Zhong
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The exhibition Cézanne Drawing at The Museum of Modern Art (MoMA) brought together an exceptional group of works on paper from public and private collections across the globe.
Abed Haddad, Laura Neufeld, Ana Martins
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Francesca Rosenberg is the Director of Community, Access, and School Programs. She has played a key role in the inception of programs working with people living with dementia and their care partners at MoMA.
Sara Torres, Francesca Rosenberg
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This study combines scientific and connoisseurship approaches to establish a production chronology of 141 woodblock prints from Katsushika Hokusai’s series Thirty-Six Views of Mount Fuji belonging to different cultural institutions in Europe and the ...
Marc Vermeulen +6 more
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The Thannhauser Collection of the Solomon R. Guggenheim Museum, New York, represents an important survey of European avant-garde art production during the late 19th and early 20th centuries. Among the works included in this collection are three paintings
Federica Pozzi +7 more
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Visual art instruction in medical education: a narrative review
The humanities have been increasingly incorporated into medical school curricula in order to promote clinical skills and professional formation. To understand its current use, we reviewed the literature on visual arts training in medical education ...
Neha Mukunda +5 more
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Vincent van Gogh’s still lifes Irises and Roses were investigated to shed light onto the degree to which the paintings had changed, both individually and in relation to each other since they were painted, particularly in regard to the fading of the red ...
Silvia A. Centeno +9 more
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Natural and synthetic arsenic sulfide pigments in Japanese woodblock prints of the late Edo period
We recently described the use of an artificial arsenic sulfide pigment in Japanese woodblock prints from the Meiji period (1868–1912): we now expand on our previous work by investigating arsenic sulfide pigments used in Japanese woodblock prints of the ...
Stephanie Zaleski +2 more
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The nature of ground preparations is of critical interest to those engaging in the study of historical painting techniques, as certain materials can be identified with specific regions and school of painting.
Federico Carò +2 more
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