Results 251 to 260 of about 2,022,930 (304)
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Qualitative Inquiry, 2012
In this article, the author experiments with artful writing as a means of contemplating research with internationally educated female teachers. In doing so, she sits with, listens to, writes from particular moments of the research process. The author also composes found poems from words and phrases in the transcripts.
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In this article, the author experiments with artful writing as a means of contemplating research with internationally educated female teachers. In doing so, she sits with, listens to, writes from particular moments of the research process. The author also composes found poems from words and phrases in the transcripts.
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Documenting Art, Writing Biography
Journal of Family History, 2015This article concerns six generations of the Silvestre family: a succession of artists, royal drawing masters, and art collectors whose social ascent began in the late seventeenth century in parallel with the Bourbon Monarchy and continued after its fall.
Dena Goodman, Emily Talbot
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2013
The status of writing in postwar Paris was a fraught subject. Some of the most high-profile figures punished for collaborating with the occupying German forces were authors and publishers, most famously Robert Brasillach and Bernard Grasset. Equally, the acts of writing and printing, whether a victory sign on a misted window or a propaganda leaflet ...
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The status of writing in postwar Paris was a fraught subject. Some of the most high-profile figures punished for collaborating with the occupying German forces were authors and publishers, most famously Robert Brasillach and Bernard Grasset. Equally, the acts of writing and printing, whether a victory sign on a misted window or a propaganda leaflet ...
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European Journal of Women's Studies, 2009
Time, precarious lives and memories and multiple narrations related to crossing borders constitute the key meanings of a series of contemporary pieces of works produced by migrant artists and writers (Tarek Al-Ghoussein, Marwan Rechmaoui, Jumana Emil Abboud and Hoda Barakat).
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Time, precarious lives and memories and multiple narrations related to crossing borders constitute the key meanings of a series of contemporary pieces of works produced by migrant artists and writers (Tarek Al-Ghoussein, Marwan Rechmaoui, Jumana Emil Abboud and Hoda Barakat).
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Near Eastern Archaeology, 2000
The two most common languages in the Ugaritic tablets, Akkadian and Ugaritic, reveal some forty names of scribes identified in colophons or signatures. But in formation about them is sparse and there are no known artistic representations of scribes. We can thus learn about their lives only by observing the fruits of their labor, namely, the tablets.
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The two most common languages in the Ugaritic tablets, Akkadian and Ugaritic, reveal some forty names of scribes identified in colophons or signatures. But in formation about them is sparse and there are no known artistic representations of scribes. We can thus learn about their lives only by observing the fruits of their labor, namely, the tablets.
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(Dis)embodied encounters between art and academic writing amid a pandemic
Gender, Work and Organization, 2021Emmanouela Mandalaki
exaly
Archives of Internal Medicine, 1963
Except for the first essay, which is entitled "The Writer's Craft," what Maurois has done in this collection of essays is to select a series of great writers, almost all of them French or Russian, and describe some of the salient points in their lives.
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Except for the first essay, which is entitled "The Writer's Craft," what Maurois has done in this collection of essays is to select a series of great writers, almost all of them French or Russian, and describe some of the salient points in their lives.
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What might the ‘art of critique’ in humanities and social sciences academic writing look like?
Teaching in Higher Education, 2023Juliet Henderson
exaly
2004
‘Writing art history’ looks at how histories of art have been written in Europe and North America and the effect that this has had on the object itself and on the subjects of art history. Discussing the work of influential art historians Pliny the Elder, Giorgio Vasari, Johann Joachim Winckelmann, Jacob Burckhardt, Ernst Gombrich, and Clement Greenberg,
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‘Writing art history’ looks at how histories of art have been written in Europe and North America and the effect that this has had on the object itself and on the subjects of art history. Discussing the work of influential art historians Pliny the Elder, Giorgio Vasari, Johann Joachim Winckelmann, Jacob Burckhardt, Ernst Gombrich, and Clement Greenberg,
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