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Mansionski Antonin Artaud (Antonin Artaud: Kazalište i njegov dvojnik i Vinko Grubišić: Artaud)
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Deleuze Studies, 2016
In the later Artaud's perception of existence as perpetual cosmological combat, one of his principal weapons is the scream. His deployment of this scream matures in the 1946–8 radio recordings, especially in To Have Done with the Judgement of God, which he saw as a successful ‘mini-model’ of the Theatre of Cruelty.
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In the later Artaud's perception of existence as perpetual cosmological combat, one of his principal weapons is the scream. His deployment of this scream matures in the 1946–8 radio recordings, especially in To Have Done with the Judgement of God, which he saw as a successful ‘mini-model’ of the Theatre of Cruelty.
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Olhares, 2020
Este artigo realiza uma breve análise da obra Para acabar com o juízo de deus, destacando aspectos históricos do contexto em que Antonin Artaud se situa e características biográficas que diferenciaram sua produção artística.
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Este artigo realiza uma breve análise da obra Para acabar com o juízo de deus, destacando aspectos históricos do contexto em que Antonin Artaud se situa e características biográficas que diferenciaram sua produção artística.
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Antonin Artaud 1: Modernites d'Antonin Artaud
The Modern Language Review, 2002John C. Stout, Olivier Penot-Lacassagne
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2000
recensione a Carlo Pasi La comunicazione crudele. Da Baudelaire a Beckett, Bollati Boringhieri, Torino, 1998 e Carlo Pasi Artaud Attore, Bollati Boringhieri, Torino ...
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recensione a Carlo Pasi La comunicazione crudele. Da Baudelaire a Beckett, Bollati Boringhieri, Torino, 1998 e Carlo Pasi Artaud Attore, Bollati Boringhieri, Torino ...
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