The Social Function of Twentieth Century Theatre: Antonin Artaud, Samuel Beckett and Paul Chan [PDF]
, 2013 How was the social function of theater changed since the Second World War?” Unlike the growing fields of other Twentieth century media innovations such as film or radio, theatre has the ability to utilize the culmination of both mediums.
Rapoch, Jeff
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Periferia, 2012 DOI: 10.12957/periferia.2011.3409 O artigo procura formular o que seria um pensamento da fome nas obras de Glauber Rocha e de Antonin Artaud – constituindo, por um lado, uma subversão da noção de antropofagia e por outro, uma força viva capaz de arrastar
Ana Kiffer
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The democratical ideal and the Oresteia between 'Back to Basics' and cultural studies, between old and new historicism [PDF]
, 2004 A
Decreus, Freddy
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Sarah Kane y el espectáculo del dolor
Revista Chilena de Literatura, 2006 Este artículo analiza las principales características de la dramaturgia de Sarah Kane en su dimensión textual y escénica. Se establecen los vínculos con la corriente teatral inglesa 'in yer face'de los años 90 y se precisan las influencias de Antonin ...
Carolina Brnci'c
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Anarchic Reflection and the Crisis of Krisis: Working with Artaud
Performance Philosophy, 2018 This article begins by arguing that the ‘madness’ of Antonin Artaud is either fetishised or resisted, depending on the disciplinary angle from which one works. It proposes an alternative approach to the study of Artaud, which might avoid such pitfalls by
Joel White
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Hermetische Transformationen in den Künsten des 20. Jahrhunderts - Antonin Artaud, Max Ernst, Dalì-Buñuel [PDF]
, 2010 Zu Artaud: Hermetik, Alchemie, Götter-Prinzipien, Einheit ('Heliogabal'); Peyotl, Einheit, Kultur der Bewusstlosigkeit ('Tarahumaras'); Ich und Bewusstsein; Kulturhass und Zivilisationsverachtung; der 'primitive Geist' Mexikos; das 'Gebirge der Zeichen';
Reck, Hans Ulrich (Prof. Dr.)
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Corporeal Disintegration as Last Gasp Vocal Act: the Final Works, of Murobushi, Artaud and Chereau [PDF]
, 2017 This essay analyses a number of performance art experiments by significant artists and choreographers, each deploying vocal innovations. The essay is based on extensive archival research in Japan and France.
Barber, Stephen
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Koncerty zespołów metalowych jako teatr okrucieństwa
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura, 2019 The following paper is dedicated to metal music concerts as (non-)deliberate realisation of the Antonin Artaud’s (1896–1947) Theatre of Cruelty, which he proposed in the 1930s.
Łukasz Stec
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Verschiebung, Verdichtung, Aspektwechsel, Transformation, Verbindungen – onirische Bildauffassung und traumbezogene Formtheorie am Beispiel der Bildmontagen/ 'Fotoromane' von Max Ernst [PDF]
, 2010 Vom Portrait/ der Physiognomie des menschlichen Gesichts und der Landschaft zur Hieroglyphik der Natur und dem neuronalen Tanz/ Methoden der Introspektion als hermetische Erkundungen des Unsichtbaren - Audiolectures 03 ...
Reck, Hans Ulrich (Prof. Dr.)
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Os astros ditam o futuro. A história impõe o presente. (Artaud vs. Cárdenas)
ARSSilviano Santiago trata do encontro de dois autoexilados na Cidade do México em 1936: o poeta e crítico de arte guatemalteco Luis Cardoza y Aragón e o poeta e dramaturgo francês Antonin Artaud.
Silviano Santiago
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