Results 111 to 120 of about 1,914,913 (321)
Искусство Евразии, 2015 Сегодня, когда мне часто задают вопросы о природе искусства, о предназначении искусства, о том, что есть искусство для меня лично, я могу сказать, что искусство и жизнь для меня равноценны. Для меня нет жизни без искусства и искусства без жизни. Today, when I ...
openaire +2 more sources
Reader Interaction with Graphic Devices in Early Modern English Printed Books☆
Renaissance Studies, EarlyView.Abstract Research into marginalia or reader annotations has become a well‐established branch of early modern book studies, shedding light on one of the ways in which manuscript and print coexisted and interacted in this period. The present study sets out to discover how readers engaged with printed graphic devices and with texts that contain such ...
Aino Liira
wiley +1 more source
La persona frente a un mundo en crisis: el arte de frente a la persona y su realidad social [PDF]
, 2017 10 p.Introducción Arte y persona Arte y realidad social Arte y resiliencia Conclusiones ReferenciasEl interés de abordar el tema de la persona frente a las diferentes manifestaciones del arte y de su relación con la realidad que vive surge como una ...
Ramírez-Orozco, Sandra Ligia
core
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
PROPOSIÇÃO METODOLÓGICA PARA PESQUISA EM ARTE: O DESENHO DE OBSERVAÇÃO À MÃO FEITO IN LOCO [PDF]
, 2023 Luiza Simionatto Budahazi +1 more
openalex +1 more source
, 2014 La questione dell'arte in architettura vista dalla prospettiva dell'estetica ...
Catucci, Stefano
core
The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet
Renaissance Studies, EarlyView.Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
wiley +1 more source
Elaboración del duelo a través del arte: un acercamiento metodológico y conceptual
, 2015 John Alexander Jaramillo Serna
openalex +2 more sources
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source