Results 71 to 80 of about 1,881,725 (259)

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet

open access: yesRenaissance Studies, EarlyView.
Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
wiley   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

Aplicaciones del Arteterapia en aula como medio de prevención para el desarrollo de la autoestima y el fomento de las relaciones sociales positivas: “Me siento vivo y convivo “ [PDF]

open access: yes, 2007
“I feel alive and co live” project is the acting frame for working in the public education at a school in Madrid in which students coming from a foreign origin in their majority co live.
Rodríguez Fernández, Elena
core   +1 more source

Obesity and the Politics of Taddeo di Bartolo's Inferno

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley   +1 more source

Using Ada: The deeper challenges [PDF]

open access: yes
The Ada programming language and the associated Ada Programming Support Environment (APSE) and Ada Run Time Environment (ARTE) provide the potential for significant life-cycle cost reductions in computer software development and maintenance activities ...
Feinberg, David A.
core   +1 more source

¿Es Ferran Adrià un genio del Arte del siglo XXI? [PDF]

open access: yes, 2012
La invitación a la Documenta 12 de Kassel en 2007 legitima y certifica la entrada de El Bulli al mundo del Arte. ¿Por qué necesita el mundo del Arte a Ferran Adrià y El Bulli?
Márquez, Mauricio
core   +1 more source

arte arte arte

open access: yes, 2018
arte arte arte è da considerarsi come un appunto, parte di un processo artistico, e dunque come materiale progettuale di una o più opere non (ancora) realizzate. arte arte arte (art art art) should be considered as an element of the artistic process, and the project documentation for some of a group of works not (yet) realized.
openaire   +1 more source

Ángel Ferrant y la Terapia Creativa: el Caso de Bienvenido Martín Hergueta [PDF]

open access: yes, 2010
Se describe la relación establecida entre el escultor Ángel Ferrant y Bienvenido Martín Hergueta, alumno suyo de la Escuela de Artes y Ofi cios de Madrid en la década de 1940, que padecía siringomielia.
Asenjo Fernández, Ignacio
core   +1 more source

Malassezia‐Induced Type 2 Immunity in Head Neck Shoulder Type Atopic Dermatitis

open access: yes
Allergy, EarlyView.
I. Suhrkamp   +10 more
wiley   +1 more source

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