Results 41 to 50 of about 502 (136)
Globalización y creatividad en el arte contemporáneo
Arte e Investigación, 2016 En el presente trabajo intento poner de relieve la relación planteada por el filósofo francés Jacques Rancière (2006) cuando hace alusión a la fórmula estética que liga el arte al no–arte, fórmula que dispara hacia dos puntos de fuga: el arte que deviene
Leticia Muñoz Cobeñas
doaj
Rancière e a política das imagens: rosto, olhar e subjetivação na fotografia de JR
Revista Eco-Pós, 2014 Este artigo busca estabelecer relação entre os conceitos do filósofo francês Jacques Rancière acerca de arte, estética, política e subjetivação, usando como objeto o ensaio fotográfico “Women are Heroes”, feito em 2008 por JR, um artista francês, no ...
Agatha de Souza Azevedo +1 more
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Print Conventions and Authority in Three English Recipe Manuscripts
Renaissance Studies, Volume 40, Issue 2, Page 231-253, April 2026.Abstract This article considers the uses of stylistic and visual conventions drawn from print books in three seventeenth‐ and eighteenth‐century recipe manuscripts at the University of Pennsylvania. We begin by analysing the title page, dedicatory epistle, catchwords, and headers of MS Codex 627, which imitates an edition of Hugh Plat's Delights for ...
Aylin Malcolm, Margaret C. Maurer
wiley +1 more source
Swiss Political Science Review, Volume 32, Issue 1, Page 78-101, March 2026.Abstract In light of increasing military conflicts within and outside Europe, as well as demands for more appropriate representation of women, gender‐neutral military service has become a topic of public debate. Building on research on framing effects, this article examines which factors influence public acceptance of gender‐neutral military service ...
Johanna Hornung +2 more
wiley +1 more source
Jacques Rancière. Contra-historias estéticas
Daimon, 2017 Este artículo se plantea definir en qué medida la estética de Jacques Rancière constituye un programa a seguir, un nuevo modo de reflexión estética dedicado tanto a la revisión de la historia del arte moderno como a la autocomprensión de la estética ...
Fernando Infante del Rosal
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Prophetic Promise: The Lineal Return of ‘lopp’d branches’ in Shakespeare’s Cymbeline
Renaissance Studies, Volume 40, Issue 1, Page 55-75, February 2026.Abstract This paper identifies the early‐modern conception of prophecy as a word‐magic performed across generations, a verbal promise that anticipates its own realisation in posterity. Just as Francis Bacon upheld the generative force of prophetic utterances by noting their ‘springing and germinant accomplishment throughout many ages’, Shakespeare’s ...
Rana Banna
wiley +1 more source
Three Men and an Abbey: The Cornaro Triple Portrait☆
Renaissance Studies, Volume 40, Issue 1, Page 97-120, February 2026.Abstract This paper builds on the author’s recent identification of an early sixteenth‐century painting in the National Gallery of Ireland as containing rare portraits of Giorgio Cornaro (brother of Caterina, Queen of Cyprus) and his son Cardinal Francesco.
Rachel Healy
wiley +1 more source
Angewandte Chemie, Volume 138, Issue 5, 28 January 2026.Diese Studie untersucht die Hochdrucksynthese von zwei neuen Perovskit‐verwandter Nitriden mit geordneten Anionen‐Fehlstellen, PrReN2 und NdReN2, welche im verzerrten LaNiO2‐Strukturtyp kristallisieren. Röntgen‐ und Neutronenbeugung zeigen eine strukturelle Verzerrung, die durch die Dimerisierung der Re‐Ketten verursacht wird, während Berechnungen der ...
Dominik Werhahn +6 more
wiley +1 more source
A ARTE EM SARTRE: UMA INSTÁVEL RELAÇÃO ENTRE REAL E IMAGINÁRIO
Kínesis, 2018 O objetivo deste artigo é abordar a questão da obra de arte na filosofia de Sartre como uma relação instável entre a realidade e a irrealidade. O que se quer mostrar aqui é que a arte, da maneira como é entendida pelo filósofo francês, não se dá ...
Vinicius X. Hoste
doaj +1 more source
X-Ray Spectrometry, Volume 55, Issue 1, Page 136-147, January/February 2026.ABSTRACT In this study, four paintings by the Brazilian artists Tarsila do Amaral and Anita Malfatti were analyzed using x‐ray fluorescence (XRF) and macro‐x‐ray fluorescence (MA‐XRF) scanning. The analyzed artworks by Tarsila do Amaral were “Autorretrato com vestido laranja” (1921) and “Figura Só” (1930), while the investigated paintings by Anita ...
Valter Felix +9 more
wiley +1 more source