Results 41 to 50 of about 530 (136)

De Stupro: First Insights on Rape and Its Prosecution in Maltese Courts (1701–10)

open access: yesJournal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 265-286, September 2026.
Abstract This article constitutes a first in‐depth investigation of rape and the prosecution of this crime in early eighteenth‐century Malta. The research, which is based on sixteen rape accusations claimed at the secular courts in Malta between 1701 and 1710, has analysed cases categorized as ‘simple rape’, ‘violent rape’ and rape committed under the ...
Vanessa Buhagiar
wiley   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, Volume 40, Issue 4, Page 570-588, September 2026.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Jacques Rancière. Contra-historias estéticas

open access: yesDaimon, 2017
Este artículo se plantea definir en qué medida la estética de Jacques Rancière constituye un programa a seguir, un nuevo modo de reflexión estética dedicado tanto a la revisión de la historia del arte moderno como a la autocomprensión de la estética ...
Fernando Infante del Rosal
doaj   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, Volume 40, Issue 4, Page 712-738, September 2026.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

A Lightweight, 3D‐Printable, Low‐Cost, “One‐Click” Dorsal Skin Window for High‐Quality Long‐Term Multimodal Subcutaneous Tumor Imaging

open access: yesAdvanced Healthcare Materials, Volume 15, Issue 31, 21 August 2026.
An innovative, lightweight 3D‐printed skinfold chamber system is presented for long‐term intravital imaging. This affordable, biocompatible platform simplifies surgical implantation and allows high‐resolution, multimodal visualization of the tumor microenvironment for up to four weeks.
Iván Cortés Domínguez   +9 more
wiley   +1 more source

A ARTE EM SARTRE: UMA INSTÁVEL RELAÇÃO ENTRE REAL E IMAGINÁRIO

open access: yesKínesis, 2018
O objetivo deste artigo é abordar a questão da obra de arte na filosofia de Sartre como uma relação instável entre a realidade e a irrealidade. O que se quer mostrar aqui é que a arte, da maneira como é entendida pelo filósofo francês, não se dá ...
Vinicius X. Hoste
doaj   +1 more source

Elektroenzymatische CO2‐Fixierung

open access: yesAngewandte Chemie, Volume 138, Issue 28, 6 July 2026.
Die elektroenzymatische CO2‐Fixierung ermöglicht eine energieeffiziente, hochselektive Synthese komplexer Moleküle. Um ihr volles Potenzial auszuschöpfen, ist ein grundlegendes Verständnis von elektrodengekoppelten Reduktasen und Carboxylasen erforderlich.
Leonardo Castañeda‐Losada   +4 more
wiley   +1 more source

Um ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológico

open access: yesActa Scientiarum: Language and Culture, 2015
Neste artigo, investigamos a teoria da arte que subsidia o pensamento de Michel Foucault e analisamos aspectos estéticos e históricos de desproporções anatômicas na pintura europeia.
Renan Belmonte Mazzola
doaj   +1 more source

Introduction: A Mnemosyne of Art & Science

open access: yes
Renaissance Studies, EarlyView.
Ana Duarte Rodrigues   +2 more
wiley   +1 more source

‘EINEN FILM DREHEN’: TECHNOPOLITICAL TURNS AND THE RENDERING OPERATIONAL OF SUBJECTIVITY IN FAROCKI'S LEBEN–BRD (1990) AND PETZOLD'S BARBARA (2012)

open access: yesGerman Life and Letters, Volume 79, Issue 3, Page 396-418, July 2026.
ABSTRACT This article analyses the ‘Gestus’ of turning in films by Harun Farocki and Christian Petzold, in light of a central claim of Andrew Webber's esteemed theoretical work on film: that film has the power to uncover unconscious processes through which subjects come into being and are made operational for political regimes.
Annie Ring
wiley   +1 more source

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