Results 71 to 80 of about 1,197,978 (245)
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
1864‐1903: Progreso, academicismo y arte prehistórico. Sustrato sociocultural del arte lúdico. [PDF]
, 2010 En este artículo se reflexiona sobre la manera en que influyeron en la primera fase de la investigación sobre el arte paleolítico, o del arte lúdico (1864‐1903), el contexto social, cultural e intelectual de finales del s. XIX y las primeras décadas del
Sinués-del-Val, M. (Mariano)
core
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, EarlyView.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley +1 more source
Que é artificação? What is "artification"?
Sociedade e Estado, 2007 Hà um aumento constante na produção de arte na sociedade e na pesquisa sobre arte e cultura dentro das ciências sociais. Conseqüentemente, parece apropriado propor a artificação como um campo novo para a Sociologia da Arte e da mudança social e cultural.
Roberta Shapiro
doaj +1 more source
Renaissance Studies, EarlyView.ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
wiley +1 more source
Creaciones valencianas y ecología: El espacio de arte medioambiental 'Biodivers Carrícola' [PDF]
, 2015 El presente trabajo analiza el espacio de arte medioambiental 'Biodivers Carrícola', en la Provincia de Valencia. A partir de los conceptos 'arte público' y 'territorio', recoge las teorías de la estética medioambiental para traducir el lenguaje plástico
Rojo Mas, María Eugenia
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Arte, adolescencia y Trabajo Social: Anja, la regidora invisible [PDF]
This article has been written with the intention of being able to analyse the contributions of art —theatre, in this case— to the practice of social work.
González Abad, Libertad
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For a Typology of Participation in Community Artistic Practices: the experience of three theater groups in Brazil and Portugal [PDF]
, 2020 The article aims to address the participatory dimension as a central feature in contemporary artistic creation, deepening the relationship between processes and results.
Bezelga, isabel +2 more
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Cross Media Arts: social arts and collaboration
Social and Collaborative Art refers to a socially engaged artistic practice through the involvement, in the process of its realisation, collaborating directly or indirectly in its production or discussion, of other agents besides the artist(s), namely a community or a specific group of individuals. It is often a transdisciplinary and inclusive practice,
Pinto, Paula Reaes +2 more
openaire +2 more sources