Results 241 to 250 of about 307,600 (297)
Non-invasive in vivo acoustoelectric neuromodulation and its contribution to ultrasound stimulation
Rintoul JL +3 more
europepmc +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
AI & Society, 1995
The paper presents a general critique of the use of conceptual frameworks in design, illustrated by the well known synchronous/asynchronous, co-located/non-co-located framework. It argues that while frameworks are a necessary and inevitable starting point for design, the business of tailoring and adapting them to specific situations need not be ad hoc ...
Mogensen, Preben Holst, Robinson, Mike
openaire +1 more source
The paper presents a general critique of the use of conceptual frameworks in design, illustrated by the well known synchronous/asynchronous, co-located/non-co-located framework. It argues that while frameworks are a necessary and inevitable starting point for design, the business of tailoring and adapting them to specific situations need not be ad hoc ...
Mogensen, Preben Holst, Robinson, Mike
openaire +1 more source
Resuscitation, 1988
This article provides a selective review of the literature concerning pathological lesions attributed to resuscitation and considers their medico-legal implications. Illustrative cases of interpretational problems are cited. The importance of the pathologist's awareness prior to autopsy of an attempt at, and the nature of, resuscitation is emphasized.
S, Leadbeatter, B, Knight
openaire +2 more sources
This article provides a selective review of the literature concerning pathological lesions attributed to resuscitation and considers their medico-legal implications. Illustrative cases of interpretational problems are cited. The importance of the pathologist's awareness prior to autopsy of an attempt at, and the nature of, resuscitation is emphasized.
S, Leadbeatter, B, Knight
openaire +2 more sources
Artefacts as Signs, Signs as Artefacts
Chinese Semiotic Studies, 2020Abstract The category of “artefact” has been analyzed by different semiotic theories and methods. Starting from the Marxian theory of the dialectical relation between production and use (or consumption), Ferruccio Rossi-Landi (1921–1985) maintained the possibility of considering every “artefact” – or use-value – as a crossroads between ...
openaire +1 more source
Artefacts and Living Artefacts
Environmental Values, 2003The concept of an artefact is central to several bioethical arguments. In this paper, I analyse this concept with respect to living and also non-living entities. It is shown that a close relationship between bringing an entity into existence and its intentional modification is necessary for its artefactuality.
openaire +1 more source
Proceedings of the 21st Annual Conference of the Australian Computer-Human Interaction Special Interest Group: Design: Open 24/7, 2009
This paper argues for a relational view of collaboration in User-Centered Design activities. It argues that artefacts of different kinds are performative in making both users and designers perform in particular ways. In this way, it treats a case of a "catastrophic" user workshop as a heterogeneous enactment of relations rather than a case of having e ...
openaire +2 more sources
This paper argues for a relational view of collaboration in User-Centered Design activities. It argues that artefacts of different kinds are performative in making both users and designers perform in particular ways. In this way, it treats a case of a "catastrophic" user workshop as a heterogeneous enactment of relations rather than a case of having e ...
openaire +2 more sources
2019
This chapter will describe the technical assumptions that produce artefacts and explain acoustic shadowing, enhancement, and reverberation, including the origin of A- and B-lines. It will also describe near-field, side lobe, and mirror image artefacts and how to avoid them.
Russell Barber, Nick Fletcher
openaire +2 more sources
This chapter will describe the technical assumptions that produce artefacts and explain acoustic shadowing, enhancement, and reverberation, including the origin of A- and B-lines. It will also describe near-field, side lobe, and mirror image artefacts and how to avoid them.
Russell Barber, Nick Fletcher
openaire +2 more sources
2010
In the Wrst part of the book we considered a number of influences on the emergence of an archaeology of the contemporary past, from the interests in contemporary small-scale societies that developed as part of the New Archaeology in the 1960s and 1970s, to the use of contemporary case studies to address particular archaeological debates about the ...
Rodney Harrison, John Schofield
openaire +1 more source
In the Wrst part of the book we considered a number of influences on the emergence of an archaeology of the contemporary past, from the interests in contemporary small-scale societies that developed as part of the New Archaeology in the 1960s and 1970s, to the use of contemporary case studies to address particular archaeological debates about the ...
Rodney Harrison, John Schofield
openaire +1 more source
2006
Abstract Like every physical method, crystallography is affected by errors. However, there are two kinds of errors: unavoidable errors such as artefacts and avoidable errors. A good crystallographer knows how to manage avoidable errors, how to live with unavoidable errors and, most importantly, how to distinguish between the one from the
openaire +2 more sources
Abstract Like every physical method, crystallography is affected by errors. However, there are two kinds of errors: unavoidable errors such as artefacts and avoidable errors. A good crystallographer knows how to manage avoidable errors, how to live with unavoidable errors and, most importantly, how to distinguish between the one from the
openaire +2 more sources