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2019
This chapter will describe the technical assumptions that produce artefacts and explain acoustic shadowing, enhancement, and reverberation, including the origin of A- and B-lines. It will also describe near-field, side lobe, and mirror image artefacts and how to avoid them.
Russell Barber, Nick Fletcher
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This chapter will describe the technical assumptions that produce artefacts and explain acoustic shadowing, enhancement, and reverberation, including the origin of A- and B-lines. It will also describe near-field, side lobe, and mirror image artefacts and how to avoid them.
Russell Barber, Nick Fletcher
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2010
In the Wrst part of the book we considered a number of influences on the emergence of an archaeology of the contemporary past, from the interests in contemporary small-scale societies that developed as part of the New Archaeology in the 1960s and 1970s, to the use of contemporary case studies to address particular archaeological debates about the ...
Rodney Harrison, John Schofield
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In the Wrst part of the book we considered a number of influences on the emergence of an archaeology of the contemporary past, from the interests in contemporary small-scale societies that developed as part of the New Archaeology in the 1960s and 1970s, to the use of contemporary case studies to address particular archaeological debates about the ...
Rodney Harrison, John Schofield
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2006
Abstract Like every physical method, crystallography is affected by errors. However, there are two kinds of errors: unavoidable errors such as artefacts and avoidable errors. A good crystallographer knows how to manage avoidable errors, how to live with unavoidable errors and, most importantly, how to distinguish between the one from the
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Abstract Like every physical method, crystallography is affected by errors. However, there are two kinds of errors: unavoidable errors such as artefacts and avoidable errors. A good crystallographer knows how to manage avoidable errors, how to live with unavoidable errors and, most importantly, how to distinguish between the one from the
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How Real Are Artefacts and Artefact Kinds?
2013It is often difficult to specify, in a principled way, determinate existence and identity conditions for individual artefacts of many familiar kinds, and this fact threatens to undermine realism with regard to artefact kinds and their members. However, it may be argued that at least some kinds of artefacts, especially those that may be categorized as ...
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