Results 201 to 210 of about 13,214 (264)
Towards Advanced Intelligent and Perceptive Soft Grippers
Implementing soft yet strong and intelligent soft grippers request innovative and creative solutions in designing soft bodies and seamlessly integrating actuated systems with hierarchical sensing. This review systematically analyses soft grippers with a deep understanding of core components, from fundamental design principles to actuation and sensing ...
Haneul Kim +4 more
wiley +1 more source
Microfluidic Valve‐Integrated Garment for Smooth Sequential Gradient Mechanotherapy
We present a soft wearable sleeve that delivers smooth, gap‐free compression using overlapping air‐filled actuators and tiny microfluidic valves. The system reduces bulk, lowers power needs, and uses a smartphone‐sized control box. It can provide sequential gradient compression, gradient pressure holding, and fast deflation, supporting more portable ...
Run Ze Gao +5 more
wiley +1 more source
A unified, reusable modeling pipeline enables task‐driven design of soft robots across actuator families and task scenarios. High‐fidelity simulations are compressed into compact pseudo‐rigid‐body joint surrogates, while a design‐conditioned meta‐model generates new surrogates from geometry parameters without rerunning finite element method.
Yao Yao, David Howard, Perla Maiolino
wiley +1 more source
Xstainer: A Novel Virtual Staining Tool Powered by Advanced Deep Learning Techniques
Xstainer is a deep learning–based virtual staining framework that converts hematoxylin and eosin‐stained whole slide images into multiple histochemical stains, including Masson's trichrome, Periodic acid‐Schiff, Jones methenamine silver, and Toluidine blue.
Fatma Nur Kinali +15 more
wiley +1 more source
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The Lancet, 1997
paintings showed fluctuating left visual neglect and loss of depth. A French painter, after his stroke, continued to produce elegant line drawings, but characterised by neglect of the left of the sheet and some neglect of the left side of figures across the picture space.
P W, Halligan, J C, Marshall
openaire +2 more sources
paintings showed fluctuating left visual neglect and loss of depth. A French painter, after his stroke, continued to produce elegant line drawings, but characterised by neglect of the left of the sheet and some neglect of the left side of figures across the picture space.
P W, Halligan, J C, Marshall
openaire +2 more sources
2023
AbstractA literature survey of spiritual masters and their early temple-residences and extinct gyal khars indicate the impermanence of wall paintings they housed. Yet the techniques of preparing base-coat plaster and palletes of mineral and organic colours for frescoes lasted long. Some plant-based colours are common to both painting and fabric or yarn
openaire +1 more source
AbstractA literature survey of spiritual masters and their early temple-residences and extinct gyal khars indicate the impermanence of wall paintings they housed. Yet the techniques of preparing base-coat plaster and palletes of mineral and organic colours for frescoes lasted long. Some plant-based colours are common to both painting and fabric or yarn
openaire +1 more source
2023
Abstract This chapter reviews studies of creativity in the visual arts—such as painting, sculpture, and graphic design. The first half of the chapter takes an individualist approach, and the second half takes a sociocultural approach. Individualist research, which is generally done by psychologists, has studied the personality of the ...
R. Keith Sawyer, Danah Henriksen
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Abstract This chapter reviews studies of creativity in the visual arts—such as painting, sculpture, and graphic design. The first half of the chapter takes an individualist approach, and the second half takes a sociocultural approach. Individualist research, which is generally done by psychologists, has studied the personality of the ...
R. Keith Sawyer, Danah Henriksen
openaire +1 more source
Museum International, 1948
Katherine Kuh was Curator of the Gallery of Art interpretation and Associate Curator of Painting and Sculpture at the Art Institute of Chicago. Editor of the Institute’s quarterly publication, The Bulletin.
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Katherine Kuh was Curator of the Gallery of Art interpretation and Associate Curator of Painting and Sculpture at the Art Institute of Chicago. Editor of the Institute’s quarterly publication, The Bulletin.
openaire +1 more source

