Results 41 to 50 of about 1,423 (179)

Crítica produtiva e o ajuizamento estético na arte

open access: yesKalagatos, 2021
Partindo dos problemas que a produção artística contemporânea suscita ao conceito de arte, o objetivo desse trabalho é discutir um modo crítico de compreender a obra de arte propondo-lhe uma recepção produtiva.
Rízzia Soares Rocha
doaj   +1 more source

“STRANDED ON THE SHORES OF HISTORY”? MONUMENTS AND (ART‐)HISTORICAL AWARENESS

open access: yesHistory and Theory, Volume 64, Issue 3, Page 338-358, September 2025.
ABSTRACT Can past agents deliberately influence our historical awareness by designing objects’ appearances and sending them to us down the stream of time? We know they have certainly tried to do so by raising monuments. But according to an influential narrative, the efforts of the “monumentalists” are destined to fail: no monument can keep a legacy ...
Jakub Stejskal
wiley   +1 more source

From Photography to Philosophy: Two Moments oF Post-Traditional Art

open access: yesRivista di Estetica, 2011
The present essay represents for the author an occasion to retrace his philosophy of art, referring in particular to the themes related to contemporary art.
Arthur C. Danto
doaj   +1 more source

Nietzsche and Schiller on Aesthetic Distance

open access: yesEuropean Journal of Philosophy, Volume 33, Issue 2, Page 562-576, June 2025.
Abstract A key contention of Nietzsche's philosophy is that art helps us affirm life. A common reading holds that it does so by paving over, concealing, or beautifying life's undesirable features. This interpretation is unsatisfactory for two main reasons: Nietzsche suggests that art should foreground what is ‘ugly’ about existence, and he sees ...
Timothy Stoll
wiley   +1 more source

LA FILOSOFÍA DEL ARTE EN LA ÉPOCA DEL FIN DEL ARTE

open access: yesPraxis Filosófica, 2011
Este artículo presenta una reflexión sobre el lugar y la pertinencia de la filosofía del arte en un mundo del arte en el cual cualquier cosa puede ser una obra de arte, a partir de la propuesta teórica de Arthur Danto. Si la filosofía aún tiene algo que
Adryan Fabrizio Pineda Repizzo
doaj   +1 more source

Our Statues of Wrongdoers

open access: yesJournal of Applied Philosophy, Volume 42, Issue 2, Page 564-580, May 2025.
ABSTRACT Many of those memorialized around us in statues are wrongdoers, and so we are often called to consider whether we should take down those statues. Some of those statutes are memorialized for reasons now taken to be wrong; others are memorialized not for but rather despite their wrongdoing. How should we consider those latter cases? One tempting
Craig K. Agule
wiley   +1 more source

Deus, o mundo da arte e o espaço das razões

open access: yesViso
Arthur Danto, em uma importante passagem de seu livro de ontologia da obra de arte - A transfiguração do lugar-comum, defende uma ligação intrínseca entre interpretação e obra de arte.
Henrique Iwao
doaj   +1 more source

Autonomy, pluralism, play: Danto, Greenberg, Kant, and the philosophy of art history

open access: yesJournal of Aesthetics & Culture, 2013
Arthur Danto's celebrated declaration of “the end of art” might seem to accommodate well the apparently open-ended aesthetic diversity of contemporary art.
Clark Buckner
doaj   +1 more source

“TESTIMONY STOPS WHERE HISTORY BEGINS”: UNDERSTANDING AND ETHICS IN RELATION TO HISTORICAL AND PRACTICAL PASTS

open access: yesHistory and Theory, Volume 63, Issue 4, Page 23-42, December 2024.
ABSTRACT This article explores the relation between testimony and history by considering the recent “ethical turn” toward experience and memory in historical research. By way of a brief history of the concept of testimony in historical research, the article pinpoints current discussions as being about historical understanding rather than factual ...
JONAS AHLSKOG
wiley   +1 more source

PAINTING HISTORY: PICTURE, WITNESS, AND ANCIENT HISTORIOGRAPHY

open access: yesHistory and Theory, Volume 63, Issue 3, Page 403-431, September 2024.
ABSTRACT This article treats an analogy that is used persistently in the history of historiography: the equation of historiography with painting and the identification of the historiographer with the painter. In examining the conceptual stakes of this (auto)identification, the article mobilizes the analogy in order to explore larger issues of ...
LUUK DE BOER
wiley   +1 more source

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