Soundtrack Music Videos: The Use of Music Videos as a Tool for Promoting Films
Communication & Society (Formerly Comunicación y Sociedad), 2021 The soundtrack music video is an audiovisual format used by the cultural industries of film and music as a commercial communication tool, since it is based on a song from the soundtrack of a film, so that both the artist that performs the song and the ...
David Selva-Ruiz, Desirée Fénix-Pina
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Writing from the Milieu. Towards a Practice of Transversal Poetics as Method
Acta Academiae Artium Vilnensis, 2023 In this essay, I make a case for transversal writing as a method for artistic re search. I use transversal to describe a writing entity that is capable of shifting across media and disciplines, while remaining open for critical reflection.
Miklós (Miki) Ambrózy
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Fotografia i film w praktyce artystycznej oraz propozycjach teoretycznych Davida Hockneya
Artium Quaestiones, 2020 In his diverse works, David Hockney has used, and still uses, various media, which in some periods of his activity gained leading significance, while in the following they were abandoned or temporarily abandoned.
Piotr Zawojski
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Cinematography and filmmaking research: Reflections on a practice-led doctoral process
Alphaville: Journal of Film and Screen Media, 2019 This paper offers an overview of a recent practice-led doctoral enquiry which examined lighting techniques used by cinematographers and more widely amongst practitioners working with moving imagery.
Alexander Nevill
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Richard Serra: Sculpture, television, and the status quo
NECSUS, 2015 While he is appreciated primarily as a sculptor, Richard Serra also made several films and videos in the 1960s and 1970s which have a pivotal role in both the history of avant-garde film and the development of early video art.
Francesco Spampinato
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La promotion du travail artistique par le cinéma : image de l’artiste et « travail de l’image »
Images du Travail, Travail des Images, 2016 Questionning the way film reflects upon artistic work compels us to consider the many ways in which “the observer is himself a part of the observation”, according to Lévi-Strauss famous comment of Marcel Mauss' sociological approach.
Jean-Marc Leveratto
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Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2016 Translation, or adaptation, of film poems, animated or kinetic poetry and other multimedia works, poses a number of questions for translation theory and practice.
Piotr Marecki, Aleksandra Małecka
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Dissolving the Horizon Line: Navigating Disruption Caused by AI
Body, Space & Technology JournalPhotographs are now readily manipulated with Al in with ubiquitously available software, such as Photoshop. Although there is awareness that photographs can be seamlessly manipulated, photographs have such a strong historical link to evidencing a visual ...
Julie Watkins
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ER24/1 !: The greatest emergency of our time. [PDF]
Eur J Trauma Emerg Surg, 2023 van Ee EPX, Barker NDJ, Barker JH.
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Looking for the Edge of the World: How 3D Immersive Audio Produces a Shift from an Internalised Inner Voice to Unsymbolised Affect-Driven Ways of Thinking and Heightened Sensory Awareness. [PDF]
Behav Sci (Basel), 2023 Sadia S, Carbon CC.
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