Migrations, arts, and bodies: the Silhouette in multiple shadows of Rubiane Maia [PDF]
Frontiers in SociologyThis article explores the work of the Brazilian artist Rubiane Maia, currently based in the United Kingdom, focusing on two of her performances as a privileged sociological field for analyzing migration, corporeality, and contemporary art.
Paula Guerra
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Book Review of The entrepreneurial artist: Lessons from Highly Successful Creatives by Aaron Dworkin
Artivate, 2021 Book Review of The entrepreneurial artist: Lessons from Highly Successful Creatives (Rowman & Littlefield) by Aaron ...
Jessica Voigt
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Journal of Science and Technology of the Arts, 2021 Austrian artist and director of ZKM Center for Art and Media in Karlsruhe, Germany, Peter Weibel (Odessa, 1944), curates a book/catalogue of the mythical exhibition Sound Art, Sound as Medium of Art, that took place between March 2012 and February 2013 ...
Bertrand Chavarria-Aldrete
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Jazz Colors: Pigment Identification in the Gouaches Used by Henri Matisse
Heritage, 2021 Jazz, the illustrated book by Henri Matisse, is a testament to the vitality of the artist in the last decade of his career. The book consists of twenty illustrations reproduced in 370 copies using a stencil-based printing technique and the same Linel ...
Ana Martins +6 more
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A Poem Is a Material Object: Claire Van Vliet’s Artists Books and Denise Levertov’s “Batterers”
Humanities, 2019 A literary text is, for a book artist, like a score for a musician or a script for an actor: a basis on which to construct an artistic performance. Book artist Claire Van Vliet has, at her Janus Press, constructed dazzling broadsides and artist books ...
James D. Sullivan
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A Critique of the Book “Visual Design and Communications: Contribution to a Teaching Methodology” [PDF]
پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی, 2020 Creativity is the most basic ability of the human brain. The artist with visual communication always tries to create great ideas with new ideas. Bruno Monari is an artist and creative innovator.
Alireza Taheri, Sahar Sadeghi
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Revista Gearte, 2014 How many hands do we need to make an artist’s book? Keta Cabral Linhares and Mário Linhares have produced an artist’s book with four hands and two pairs of eyes. They traveled to Ivory Coast and drew, maybe as a way to live and understand life, their own
Ketta Cabral Linhares, Mário Linhares
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Resonance and Reuse: The Fifteenth-Century Transformation of a Late Romanesque Vita Christi
British Art Studies, 2017 This essay explores the fifteenth-century reinvention of Getty Ms. 101, a late Romanesque picture book that was reconfigured as a devotional manual. The fifteenth-century additions included rosary prayers and the only surviving image of Robert of Bury ...
Kristen Collins
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Books, Scrolls and Ripples: In Search of an Audience through the Printed Works of Helen Douglas
Arts, 2020 In this interview, artist and small press publisher Dr. Helen Douglas appraises the development of the artist’s book from its emergence in the 1950s and 1960s to seeking public recognition as a bone fide art form in the mid-1970s, through to the ...
Chris Taylor
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‘Out of the shadows? Discovering Mary Warburg’. Review of: Hedinger, Bärbel; Diers, Michael (Eds.): Mary Warburg. Porträt einer Künstlerin. Leben, Werk, München: Hirmer Verlag 2020 [PDF]
Journal of Art Historiography, 2021 This book review discusses the lavishly illustrated catalogue raisonné of the work of Mary Warburg, nee Hertz. Warburg is undoubtedly best known as the wife of art historian Aby Warburg.
Hans Christian Hönes
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