Results 1 to 10 of about 4,252 (100)
Personal self-identification peculiarities: biogram “CHILDHOOD”
Синопсис: текст, контекст, медіа, 2023 The subject of the paper is Steve Jobs’ personal self-identification in his childhood. Lexical units (words, phrases) are the descriptors of the text of the literary biography that outline the main sense of the biogram “CHILDHOOD”.
Юлія Главацька
doaj +1 more source
The Last Dagestan European: Nostalgic Myth in Prose and Painting by Khalilbek Musayasul
Polylinguality and Transcultural Practices, 2022 The article traces the milestones of the creative biography of the novelist, painter, graphic artist Khalilbek Musayasul, who left Dagestan in the twenties of the twentieth century.
Kazbek Kamilovich Sultanov
doaj +1 more source
Archival Re-appropriation and Discontents of Self-cine-identification in Iranian Cinema
Cinergie, 2020 The indexical interpretation of the archival footages and historical theme of Mohsen Makhmalbaf's Once Upon a Time, Cinema (Iran 1991) has inspired many studies to read the movie as a semi-historical homage to (Iranian) cinema from 1900.
Hossein (Hemen) Heidari
doaj +1 more source
Trauma and Memory in Post-Yugoslav Cinema
Umjetnost Riječi, 2021 he article discusses cinematic representations of memory and trauma in post-Yugoslav documentary and feature films that depict political and social reality in the post-socialist period. Through different modes of representation, from retrospective and
Etami Borjan
doaj +1 more source
Heritage Science, 2019 Surface Enhanced Raman Scattering (SERS) has become an invaluable tool for the identification of colorants in artworks, due to its enhanced sensitivity and ability to quench fluorescence interference compared to Raman spectroscopy.
Abeer Alyami +2 more
doaj +1 more source
Impersonating Dürer: German Experience of the Russian Silver Age Artist V. V. Vladimirov
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2017 The author examines two graphic works by Vassily Vladimirov (1880–1931) created during his studies in Munich between 1905 and 1906, that imitate self-portraits of the German Renaissance master Albrecht Dürer (one of the works is from the collection of ...
Elizaveta Viktorovna Yuzhakova
doaj +1 more source
May Ray as an Artist and Photographer: Problems of Self-identification
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2018 This article considers the problems of self-identification by Man Ray (1890–1976) as a painter and photographer in the first half of the 20th century, the era of formation of a new aesthetic paradigm that included the de-mythologisation of the artist and
Оlga Nikolayevna Averyanova
doaj +1 more source
Center for Educational Policy Studies Journal, 2020 The self-portrait is a reflection of the personality in a visual, physical sense, as a concrete form, a summary of the external characteristics of the artist, but also in a psychological sense, when the self-portrait becomes a mediator of communication ...
Dunja Pivac, Maja Zemunik
doaj +1 more source
In search of a painter’s stroke. Female body boundaries in Zora Petrovic’s painting acts (1956/1957) [PDF]
Glasnik Etnografskog Instituta SANU, 2014 The treatment of female body in the paintings of Zora Petrovic anticipate the feminist theories that originated during the 70’s and 80’s of the 20th century, which suggested androcentrism and absence of the female perspective and the necessity ...
Jovičić Petrija, Bašić Ivana
doaj +1 more source
Научный диалог, 2018 The models of self-presentation as a way of constructing identity and a form of self-reflection are considered. The empirical material for the study was S.
E. I. Sychova, A. M. Plotnikova
doaj +1 more source