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May Ray as an Artist and Photographer: Problems of Self-identification
This article considers the problems of self-identification by Man Ray (1890–1976) as a painter and photographer in the first half of the 20th century, the era of formation of a new aesthetic paradigm that included the de-mythologisation of the artist and creator and the originality of an artwork.
Оlga Nikolayevna Averyanova
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Archival Re-appropriation and Discontents of Self-cine-identification in Iranian Cinema
The indexical interpretation of the archival footages and historical theme of Mohsen Makhmalbaf's Once Upon a Time, Cinema (Iran 1991) has inspired many studies to read the movie as a semi-historical homage to (Iranian) cinema from 1900.
Hossein (Hemen) Heidari
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Development of Students' Artistic Self-Identification: Finding Their Own Style
The purpose of the article is to analyse the development of students' artistic self-identification and the search for their own style in the current conditions of social development. To achieve this goal, the methods of analysis, synthesis, content analysis, comparison and abstraction were used.
Liudmyla Vaniuha +4 more
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THE ROLE OF SCHOOL ARTISTIC ACTIVITIES IN MINIMISING AGGRESSION FOR PRIMARY SChOOL STUDENTS [PDF]
This research seeks to prepare a program of school’s artistic activities that develops different new skills and experiences that help to vent negative emotions positively and expressing them in the form of artistic creativity that provides the student’s ...
Zeinat Karim +2 more
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Personal self-identification peculiarities: biogram “CHILDHOOD”
The subject of the paper is Steve Jobs’ personal self-identification in his childhood. Lexical units (words, phrases) are the descriptors of the text of the literary biography that outline the main sense of the biogram “CHILDHOOD”.
Юлія Главацька
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The Last Dagestan European: Nostalgic Myth in Prose and Painting by Khalilbek Musayasul
The article traces the milestones of the creative biography of the novelist, painter, graphic artist Khalilbek Musayasul, who left Dagestan in the twenties of the twentieth century.
Kazbek Kamilovich Sultanov
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Мета статті — проаналізувати життєвий та творчий шлях видатних представників українського культурного простору ХХ ст. С. Крушельницької та М. Кречка крізь призму яскраво вираженої національної ментальності у їх творчості, що реалізовувалась в умовах втрати Україною власної державності та насадження радянського режиму. Методологія дослідження спирається
Kravchuk Oleksandr, Humeniuk Tetiana
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The purpose of article is the research of transformation of genre models in critical historical epoch. In concrete historical time the creative ego of artist is in definite normative space which is actualized of genre-style concrete things. Art activities in formatted by epoch genre-style conditions can provide easy task for artist.
Кhananaev, Serhii, Кhananaeva, Anna
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Surface Enhanced Raman Scattering (SERS) has become an invaluable tool for the identification of colorants in artworks, due to its enhanced sensitivity and ability to quench fluorescence interference compared to Raman spectroscopy.
Abeer Alyami +2 more
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Trauma and Memory in Post-Yugoslav Cinema
he article discusses cinematic representations of memory and trauma in post-Yugoslav documentary and feature films that depict political and social reality in the post-socialist period. Through different modes of representation, from retrospective and
Etami Borjan
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