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May Ray as an Artist and Photographer: Problems of Self-identification
This article considers the problems of self-identification by Man Ray (1890–1976) as a painter and photographer in the first half of the 20th century, the era of formation of a new aesthetic paradigm that included the de-mythologisation of the artist and
Оlga Nikolayevna Averyanova
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Personal self-identification peculiarities: biogram “CHILDHOOD”
The subject of the paper is Steve Jobs’ personal self-identification in his childhood. Lexical units (words, phrases) are the descriptors of the text of the literary biography that outline the main sense of the biogram “CHILDHOOD”.
Юлія Главацька
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The Last Dagestan European: Nostalgic Myth in Prose and Painting by Khalilbek Musayasul
The article traces the milestones of the creative biography of the novelist, painter, graphic artist Khalilbek Musayasul, who left Dagestan in the twenties of the twentieth century.
Kazbek Kamilovich Sultanov
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The purpose of the article is to analyse the life and work of outstanding representatives of the Ukrainian cultural space of the 20th century S. Krushelnytska and M. Krechko through the prism of a vividly expressed national mentality in their work, which was realised in the conditions of Ukraine’s loss of its own statehood and the imposition of the ...
Kravchuk Oleksandr, Humeniuk Tetiana
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Archival Re-appropriation and Discontents of Self-cine-identification in Iranian Cinema
The indexical interpretation of the archival footages and historical theme of Mohsen Makhmalbaf's Once Upon a Time, Cinema (Iran 1991) has inspired many studies to read the movie as a semi-historical homage to (Iranian) cinema from 1900.
Hossein (Hemen) Heidari
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Trauma and Memory in Post-Yugoslav Cinema
he article discusses cinematic representations of memory and trauma in post-Yugoslav documentary and feature films that depict political and social reality in the post-socialist period. Through different modes of representation, from retrospective and
Etami Borjan
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Surface Enhanced Raman Scattering (SERS) has become an invaluable tool for the identification of colorants in artworks, due to its enhanced sensitivity and ability to quench fluorescence interference compared to Raman spectroscopy.
Abeer Alyami +2 more
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The purpose of article is the research of transformation of genre models in critical historical epoch. In concrete historical time the creative ego of artist is in definite normative space which is actualized of genre-style concrete things. Art activities in formatted by epoch genre-style conditions can provide easy task for artist.
Кhananaev, Serhii, Кhananaeva, Anna
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Исследование древнейших форм мобильного искусства ледниковой эпохи в Сибири позволяет в составе археологических коллекций выделить три группы предметов: персональные (личные) украшения, предметы престижного характера (предметы обмена в том числе), коллекцию объемной скульптуры (антропоморфные и зооморфные образы).
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Artistic Identities and Professional Strategies : Francophone Musicians in France and Britain [PDF]
Funding This work was supported by Arts and Humanities Research Council [grant number AH/E508628/1] and European Commission [grant number HPSE-CT-2002-00133].Peer ...
Gibert, Marie-Pierre, Kiwan, Nadia
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